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Back in the 1800s, pregnant women were depicted in portraits, if at all, with potted plants and animals, as icons of domesticity, says Yale professor Laura Wexler, co-author of Pregnant Pictures. Even in 1991, when Demi Moore posed nude and pregnant on the cover of Vanity Fair, the issue hit many newsstands wrapped in brown paper. But today, with expectant actresses dominating celebrity news, advances in fertility technologies and more women in the workplace, says Wexler, "reproduction is squarely in the public sphere...

Author: /time Magazine | Title: The Art of the Womb | 4/3/2008 | See Source »

...dare you not treat women like men." But what most amazed her was the reaction of young women: by and large, they assumed this is just how things work. "Why aren't they marching in the streets? That's the part that slays me," Delahunty says. "It isn't fair, and young women should be saying something about it not being fair...

Author: /time Magazine | Title: Affirmative Action for Boys | 4/3/2008 | See Source »

...What is your favorite vegetable? -Thomas Stout, Fair Oaks, calif.I do love potatoes...

Author: /time Magazine | Title: 10 Questions for Helen Mirren | 4/2/2008 | See Source »

...African governments have taken freedom of speech and fair elections more seriously recently. Most notably, President Olusegun Obasanjo of Nigeria was forced out last year when his term was up. At the same time, continent-wide reforms have improved governance. At the end of the last century, African rulers, led by Mbeki and South Africa, began to commit to the rule of law, human rights, and free and fair elections. The Organisation of African Unity, little more than a club for dictators, was reconstituted as the African Union, with aspirations to rule Africa better and a mandate to intervene...

Author: /time Magazine | Title: A New Era for Africa | 4/2/2008 | See Source »

...while the second movement was sweetly melodic and made use of unexpected harmonic changes. The third movement, “Danse Macabre,” combined material from the first two, producing a twisting, grotesque result. Julia L. Glenn ’11 played a solo that boasted a fair amount of verve. At the end of the piece, Lim, all smiles, went up to the stage to receive appreciative and deserved applause. The Stravinsky also included tricky, unusual rhythms and atypical harmonies, but the ensemble proved themselves up to the task of playing it. In the first movement, Charlotte...

Author: By Matthew H. Coogan, CONTRIBUTING WRITER | Title: Practiced Playing from Brattle Street | 4/1/2008 | See Source »

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