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...mold of his mentor Brent Scowcroft, which is why it was surprising to hear such an idealistic answer. But American exceptionalism can signify many things. Its assertion of America's historical uniqueness can suggest that the U.S. has special global obligations and privileges. Exceptionalism can be a dangerous faith because of how much it can extenuate and excuse. Gates is not a philosopher, and it is hard to know what he means by his profession of the exceptionalist faith. It may be just a fancy way of expressing the more prosaic pursuit of a great power's long-term strategic...

Author: /time Magazine | Title: What Is Robert Gates Really Fighting For? | 2/3/2010 | See Source »

...suspect the folks complaining about the iPad's alleged read-only bias will look exactly like the folks who argued that Apple was screwing over developers in the spring of 2007. To argue in good faith that Jobs and Apple are not committed to user-created media is to ignore the entire first wave of Jobs' reinvention of Apple: the iPod may have turned Apple into a Wall Street icon, but it was the iMac and the whole iLife digital-hub positioning that brought the company back from the dead. During the iPad keynote, four of the most impressive...

Author: /time Magazine | Title: Questions (and Answers) on the iPad's Shortcomings | 2/2/2010 | See Source »

Race needs to be talked about openly and immediately. That’s the straightforward message of Code Switch 7, a brand-new theater company founded by the American Repertory Theater’s (A.R.T.) seven African American students: Renee-Marie Brewster, Anthony Gaskins, Kelley Green, Faith O. Imafedon ’07, Richard Scott, Charles Settles, and Lindsay Strachan. Under the mentorship of Professor Robert Scanlan, they will be performing their debut show at 2pm on Sunday, February 7 at Club Oberon...

Author: By Sophie O. Duvernoy, CRIMSON STAFF WRITER | Title: Code Switch 7 Takes On Race | 2/2/2010 | See Source »

...Romance is Boring,” is a bleaker, angrier record is no small statement. The transformation in emotional tone is partially rooted in the lyrics, which retain their visceral but heartfelt quality within an expanding thematic range. Encompassing anorexia, losing parents, meaningless sex, abuse, and loss of faith, as well as more well-trodden romantic territory, the topics at hand are far from cheerful. More than anything, though, the tonal shift comes down to the band further shedding their twee image for a noise-influenced, experimental, nearly anarchic sound foretold by guest appearances by members...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Los Campesinos! | 2/2/2010 | See Source »

Teddy, who died Jan. 13 at 59, came from a spiritual family in North Philadelphia, and after a tragic automobile accident in 1982 left him paralyzed from the chest down, the faith he'd inherited from his mother Ida helped sustain him. Despite his own injuries, Teddy dedicated the rest of his life to helping others with spinal-cord trauma. He was our best friend, a great humanitarian and a tremendous musical force. His legacy will live...

Author: /time Magazine | Title: Teddy Pendergrass | 2/1/2010 | See Source »

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