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Television and movies reassuringly confirm foreigners' preconceptions of America and Americans. Such notions tend to be superficial and overdrawn, just like pop. The U.S. is violent; just look at Miami Vice. The U.S. is amazingly rich; look at Falcon Crest. The U.S. is zany--and rich and violent; look at Beverly Hills Cop. It is telling that Vanessa Redgrave defends Dynasty and Dallas on Trotskyist grounds. These portrayals of American ruling-class mischief, she says, are politically correct...

Author: /time Magazine | Title: Pop Goes the Culture | 6/16/1986 | See Source »

...CINEMA LAND, the line between fantasy and reality is particularly thin and fragile, like a strip of celluloid viewed edgewise. Movies are supposed to imitate life, but they merely imitate other movies. If you doubt this, try counting the number of times Shane, The Front Page or The Maltese Falcon have been rehashed. It's often left up to reality to conform to the images we see on our movie or TV screens, sometimes in very perverse ways...

Author: By Cyrus M. Sanai, | Title: All's Not Welles | 6/3/1986 | See Source »

...editor, perhaps, or a protesting phone call. "Captain Midnight," an outraged consumer of the space age, took more daring action. In a sneak attack made just after midnight on Sunday of last week, the self- appointed video avenger broke into an HBO presentation of the movie The Falcon and the Snowman with a cryptic message: GOODEVENING HBO FROM CAPTAIN MIDNIGHT. $12.95 A MONTH? NO WAY! (SHOWTIME/ THE MOVIE CHANNEL BEWARE...

Author: /time Magazine | Title: Video: Captain Midnight's Sneak Attack | 5/12/1986 | See Source »

Sean Penn is tops. Madonna's bad boy was a wartime swain in Racing with the Moon, a pinwheeling bozo in The Falcon and the Snowman. Here he is all static electricity, forcing a smile through the sour taste in his mouth, weighing filial devotion against conventional morality, trying to figure out what his body will tell his brain to do next. And when, at the climax, he confronts Brad Sr. over a string of domestic crimes ("Is this the family gun, Dad?"), Penn gives the movie, and his career to date, a sensational payoff. Worry over the film...

Author: /time Magazine | Title: Cinema: Is This the Family Gun, Dad? At Close Range | 4/28/1986 | See Source »

...Falcon pitcher Sue Cigue did absolutely nothing to help her own cause in the last of the third, walking in one run and letting another come in on a wild pitch...

Author: By Jessica Dorman, | Title: Batswomen Batter Bentley, 6-3 | 4/23/1986 | See Source »

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