Word: falconer
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...movies are a machine that makes art. But what are we to make of films in which the machine is the main attraction? Burt Reynolds may be at the wheel of his Trans Am, Harrison Ford can maneuver his Millennium Falcon in hyperspace, Roy Scheider may occupy the cockpit of the Blue Thunder helicopter, but the hardware is the hero. It knows neither fear nor fatigue; it does the job it is programmed to do and never complains; if it is destroyed, a comradely clone can take its place. For a nation that has cause to doubt that nobody does...
...regarded as a monster ... I made my gaze as contemptuous as I could." It could have been the stuff of hard-boiled detective literature; instead it was the stuff of hard-boiled detective life: the life lived by Dashiell Hammett, creator of The Thin Man and The Maltese Falcon. A voracious reader of Henry James, before he switched to the school of hard knocks, Hammett wrote four novels in a single burst of creativity from 1927 to 1930. He found himself hailed by André Gide and André Malraux, and invited to work in Hollywood...
...Francisco Correspondent Dick Thompson crossed the Golden Gate Bridge to San Rafael to explore the mysteries of the film's wondrous special effects in, of all places, a common cinder-block warehouse. There, and at a similar illusion factory in Van Nuys, Calif., Han Solo's Millennium Falcon spaceship first blasted into hyperspace, and E.T., C-3PO, R2-D2 and Jedi's furry Ewoks were born. Says Thompson, who has reported stories for TIME on subjects ranging from genetic engineering to nuclear fusion: "I believe that I became a science reporter because I love mysteries. But after...
...budget, $8 million, went into special effects, most of which were shot at Industrial Light and Magic, a division of Lucasfilm, in Marin County, across the Golden Gate Bridge from San Francisco. The model shop made everything from the Death Star to Han Solo's saucer-shaped Millennium Falcon, and the optical department made its models look as if they were both big and in movement. Most of the flying objects in Jedi were really stationary, and the camera did all the moving...
With Horne poised at third. Mirmina delivered a pitched that scooted past Falcon catcher Bey Smith. As the ball lay behind the plate Horne broke for home tagging best just ahead of the tag of the covering Mirmina...