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Word: falconi (lookup in dictionary) (lookup stats)
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...Labor and Worklife Program made evident that unions in Massachusetts are not what they once were. “The heyday of unions was in [the] 1950s and 1960s in which you have basically hard-core industries—manufacturing,” explained José Luis Falconi, the curator of Lehyt’s exhibit and a graduate student in Romance Languages and Literatures. Thus, rather than glorifying unionizing “Organizing” actively emphasizes its demise...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: Proletariart | 4/6/2010 | See Source »

...interesting or sexy for artists or critics for a long time.”Whatever societal reforms it might inspire, “Ad Usum” also presents a more concrete possibility for change, at least within the sphere of the University. As Art Forum curator José Falconi notes, “Harvard is not a recognized place for contemporary art. It really means nothing. That being said, we’re tying to change that, at least at the Rockefeller Center.”Reyes concurs, saying, “Harvard has a very conservative position towards...

Author: By Nayeli E. Rodriguez, CONTRIBUTING WRITER | Title: Despite Pitfalls, Reyes Dazzles | 11/2/2006 | See Source »

Munera’s work is the sixth exhibition displayed by Art Forum, the DRCLAS’s effort to support Latin American artists in the early stages of their careers. But Jose Luis Falconi, curator of the exhibition and Art Forum Coordinator, believes Munera’s to be the best...

Author: NO WRITER ATTRIBUTED | Title: Exhibition Preview | 2/27/2004 | See Source »

After the DRCLAS’s Director of Publication June C. Erlick encouraged the thoughtful and unassuming Munera to submit his portfolio last year, he was selected over more than 100 other contestants in the Art Forum competition. Falconi commented in his gallery talk that the strength of the material made assembling the exhibition easy...

Author: NO WRITER ATTRIBUTED | Title: Exhibition Preview | 2/27/2004 | See Source »

...Falconi pointed out in his gallery talk on Wednesday that Munera does not erase himself from the picture. Instead, every picture presents a portrait that arises from a negotiation between photographer and subject. Because merely carrying a camera can be risky business in Colombia and Munera’s interest is in capturing people as they are, he often sets up private studios where his subjects can feel at ease...

Author: NO WRITER ATTRIBUTED | Title: Exhibition Preview | 2/27/2004 | See Source »

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