Word: falla
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Dates: during 1920-1929
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...musicians their reputations are uniquely and indissolubly bound into one. They are the only famed lutanists in the world. Spanish Composers Manuel de Falla, Isaac Albeniz and Joaquin Nin have written music for them. Paris, London, Brussels have applauded their playing. Fortnight ago they made their U. S. debut in Manhattan. Last week seven other cities heard them?Boston, Princeton, N. J., Greencastle, Ind., St. Louis, Lake Forest, Ill., Chicago, Providence. The verdict everywhere was the same: that here are musicians possessed of immaculate technique and a fine, poetic sense of unity. Lutes if played by lesser artists drop into...
...among many notables who applauded Kreutzberg in Manhattan, were German Ambassador and Frau von Prittwitz, Playwright Noel Coward, Actress Beatrice Lillie, Singers Maria Jeritza and Mary Garden, and Mrs. Vincent Astor. They saw a young hairless-headed fellow make swift, strange pictures to music by Chopin, Scott, Wilckens, de Falla, Satie. They saw him clown with Stravinsky and go gibbering mad with Prokofieff. So enthusiastic was Ambassador Prittwitz that he took steps to arrange a recital in Washington. Dancer Kreutzberg and the bright, wispish Georgi will go thence to Chicago, Milwaukee, Pittsburgh, Boston...
...with the clicking of castanets in the wings and the gliding entrance of La Argentina. She was tired and languorous as the sun that used to warm her; she was glittering and remote; she was a primitive thing driving away evil spirits to the fire music made from de Falla's Amor Brujo, snapping her fingers, clucking her tongue; a comic spirit cavorting on a peasant's holiday. She danced without accompaniment, was herself the musician, playing a busy bass with her heels while her castanets turned the tune of a Seguidillas...
Conductor Arbos established Spanish composers and his orchestra on good footing. Halffter, de Falla, Carelli, Espla, Turina, Granados, Albeniz, del Campo, Salazar and many another gained courage & the means of living...
...international reputation and the players in the pit are borrowed from the Philadelphia Orchestra. But it has Alexander Smallens for conductor, W. Attmore Robinson for artistic director, men who have refused to be bound by a Verdi-Puccini repertoire. Last year they gave the U. S. premieres of De Falla's El Amor Brujo, of Erich Korngold's Der Ring des Polykrates and critics all over the country pricked up their ears...