Word: falla
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Dates: during 1960-1969
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...chords does not understand the art of music," he once declared. Most of his music, including Sonata No. 1 For Piano ' and Violin, is more form than substance. Still, Jascha Heifetz plays it well, and includes satisfying little pieces by four other composers (Sibelius, Wieniawski, Rachmaninoff and Falla) on side...
Vocal Fantasy. After taping songs by the Beatles, Purcell, Falla and Weill for Dutch television in Amsterdam, Cathy Berberian made a pilgrimage to London to meet McCartney, who told her he was beginning to dig her kind of songs, too. "I used to think that anyone who was doing anything weird was weird," he explained. "I suddenly realized that anyone doing anything weird wasn't weird at all, and it was the people that were saying they were weird that were weird." Berberian apparently had no difficulty in understanding completely. "Whether serious or pop," she said, "all music...
...highlight of the evening. Besides the Poulenc she sang Ravel's Deux chansons hebraiques, which contrasts the rhapsodically set Hebrew poetry of the "Kaddish" with the simple Yiddish wisdom of "L'Enigme eternelle." She closed the program with a performance of the Siete Canciones populares Espanoles of Manuel de Falla. Both works date from 1914 and were perfectly suited to her expressive temperament. She performed them with an unostentatious professional polish that was pleasing to hear...
...FALLA: LA VIDA BREVE (2 LPs; Angel). This short opera is about the short, unhappy life of Salud, a gypsy girl who is cruelly betrayed by her lover and falls dead at his wedding. The gypsy's passion and her pathos are exploited to the full by Spanish Soprano Victoria de los Angeles-unfortunately without much help from supporting singers. Falla's early work is studded with folk dances and flamenco songs, all fierily clicked off by the National Orchestra of Spain, Rafael Frühbeck de Burgos conducting...
...FALLA: LOVE, THE MAGICIAN AND THE THREE-CORNERED HAT (Deutsche Grammophon). Loren Maazel, conducting the Berlin Radio Symphony Orchestra, streaks through two famous ballet suites with much of Falla's own theatrical genius, and Grace Bumbry, as a girl chased by the ghost of her dead gypsy lover, gives an exuberant, shoes-off performance in her brief role. All hands seem to have caught the spell of old Andalusia...