Word: falling
(lookup in dictionary)
(lookup stats)
Dates: during 1990-1999
Sort By: most recent first
(reverse)
...White House, of course, is more than willing to waive its right to face its accusers and fall in behind Lott. "We're closer to where Trent Lott is," one staffer told the New York Times, in what had to be the understatement of the winter. But Lott may not be there for long. "He's going to hear it from conservatives who want a full-blown trial," says Carney. "Clearly, he's floating a trial balloon, and seeing how long it stays afloat." A few weeks is all he needs...
That won't do much for America's image. But it could well bolster Saddam's. He has always believed defiance, as in surviving a military onslaught, brings admiration. That's why Saddam's fall from power--the ultimate goal of the Administration--seems as elusive as ever. The already weak Iraqi opposition groups to whom the U.S. has given its blessing watched last week's raids with a sense of mounting dread. The Administration has so far withheld outright military assistance for a guerrilla campaign, and would-be recipients fear the bombings will create a false impression of progress...
...impeachment vote finally did feel historic. But only if you kept in mind just how soiled and cartwheeling real events can be. "History...is indeed little more than a chronicle of the crimes, follies and misfortunes of mankind," wrote Edward Gibbon, author of The History of the Decline and Fall of the Roman Empire and a man who died 200 years before Monica Lewinsky met Bill Clinton...
...poetic; each sets its tiny humans against Nature in ferocious rhapsody. The Thin Red Line begins with an island idyll, and to Private Witt (Jim Caviezel) it feels like the ideal hallucination. It is really Nature's tease: here is Eden, the way the world was before the Fall. Now go to war and screw...
Chauvinistic English critics are calling Thomas Ades, 28, the hottest composer since Benjamin Britten. Don't believe the hype. Ades' first opera, just released on CD, is a thoroughly nasty piece of goods. Philip Hensher's sneering libretto tells the scabrous story of the decline and fall of Margaret, Duchess of Argyll (the "Mrs. Sweeny" of Cole Porter's You're the Top), who liked to do the Full Monica on her male servants. Ades' score is a glib farrago of sour, splintered vocal writing, postmodern pastiche and cartoony sound effects. Is this the music of the future? No, just...