Word: falsetto
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...comes at the very start: unlike nearly all of Sigur Rós’ more symphonic releases, the best song on “Go” is the first one. “Go Do” may back Jónsi’s familiar soaring falsetto with chiming percussion and orchestral flourishes, but it is nonetheless a consummate pop song—and a great one. From the opening, cheerfully syncopated vocal samples through the disconcertingly straightforward verse-chorus-verse structure, “Go Do” takes the listener on a compressed journey through...
...seem limiting to constantly compare Jónsi to Sigur Rós, but Jónsi invites the association by making music that has so much in common with his band—his own heartrending falsetto, simple but perfectly arranged orchestral support, and an unabashedly emotional atmosphere—and then self-consciously moving away from much of what defines them. Where Sigur Rós were sprawling, Jónsi is concise. Where Sigur Rós were languorous, Jónsi is propulsive. Where Sigur Rós were grandiose, Jónsi is playful...
...grew up listening to Michael Jackson; Joni Mitchell appears frequently on my iPod's playlists; and "Stayin' Alive's" opening line, "You can tell by the way I use my walk I'm a woman's man, no time to talk" is probably the most badass use of falsetto I've ever heard. That's some great music. But it's not rock 'n' roll. (See photos of Abba...
...café doors exploded / I reacted to, reacted to you,” this track is an imperative statement. Coming from TL/Rx, its forcefulness is expected, but so is everything else—the song is unsurprising and ordinary. As flawless a blend as Leo’s falsetto, a tight drum line, and a melodic guitar solo can be, there’s no particular charm in stating the obvious. About as Ted Leo as Ted Leo can get, “The Mighty Sparrow” is an introduction indicative of an album whose success lies predominantly...
...band reveals a brilliant glimmer of versatility on “One Polaroid A Day,” which establishes its place amongst the loveliest songs TL/Rx have produced. Leo exchanges falsetto for throaty, deep musings that complement the subdued nature of this track. With an understated drumbeat and strumming bass, “Polaroid” is far from succumbing to muteness or timidity. Instead, the song is a subtly crafted gem, whose force lies in the band’s ability to augment a knack for a catchy beat with a heretofore rarely seen phenomenon?...