Word: falsettos
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Dates: during 1930-1939
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...shinnying up and find the giant's castle. Then & there the wise cow would have appraised the swaggering giant at his worth, for although he looked fierce storming about and devouring whole roasts of meat, he was more his real self when singing in a silly, spindling falsetto...
...Camel quarter-hours, were sent out over N. B. C. The difference: Instead of a "Camel Minstrel" there is a "Prince Albert Dream Girl." Alice Joy, another unknown, has been given the same expensive send-off that Morton Downey had. "Minstrel" Downey caused instant talk with his mellifluous falsetto which sounds like a woman's. By last week, her third on the air, millions of people were listening to Alice Joy whose voice has a saxophone quality so deep that it might...
Conductor Jaroff, small and spry as a cricket, is the chorus' most compelling individual on & off stage. Last year's audiences marked also with special interest Cossack Tierekov, a bass said to have the lowest voice on record, and Cossack Ovtchinikov, whose falsetto is so high that the Don Cossacks are often suspected of concealing a woman in their ranks. Hostesses who entertained the Russians last year or who hired them as performing bears for parties, will remember: handsome Cossack Magnuschensky, the lady-killer, Cossack Kolesnikoff, a bright, understanding little fellow who has a score of anecdotes ready...
...Author. If you had never seen a picture of Giles Lytton Strachey you would never think from reading his books that he is spindle-shanked and spectacled, with a long red beard and a falsetto voice. Cousin of the late John St. Loe Strachey, editor of the London Spectator, Lytton Strachey first made a name for himself by writing Landmarks in French Literature (1912); nine years later Queen Victoria made him a bestseller. Unmarried, 51, Strachey lives in London but goes to the country to work; "it isn't so much the noises of London that prevent concentration...
...philosophic cow which not only sings falsetto and bass but also performs duets with itself will next November join that operatic zoo which includes the lyrical Forest Bird and the Dragon Fafner in Wagner's Siegfried; the Cock in Rimsky- Korsakov's Coq d'Or and the Fishes in his Sadko; the Frog-Man in Respighi's Sunken Bell. This cow, it was announced last week, is a character in Jack and the Beanstalk, a new opera composed by Louis Gruenberg to the libretto of Author-Professor-Pianist John Erskine. First of a projected series...