Word: falsettos
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...fairly humming with jolly good will. Then the other party touches Flip-a friendly clap on the shoulder, a matey hand on the sleeve. Wilson recoils like a Prussian who has been slapped. An expression of non-negotiable hostility does a slow freeze across his face. In a rising falsetto he cries: "Don't touch me! Don't you ever touch me!" Wilson is not just self-mocking the compulsive suspicion of a black being pushed around again in a white world. In the last analysis, with his quite-literal touchiness, Flip is standing in for most...
...Sparkish, Christopher Harding speaks in a falsetto and moves with a flourish which fully exploit the affectations of his role. He offers an excellent contrast to Pinchwife, played by Richard Minturn, who makes his face a sour, frowning mask that states his personality. Pinchwife is as overly protective of his wife's honor as Sparkish is negligent of Alithea's. Keeping his country wife under lock and key. Pinchwife confidently declares, "I understand the town." The audience takes enormous delight when the young, inexperienced Margery defeats the old coot, who thinks himself so wise...
...style was a complex amalgam of hillbilly, blues, English ballad, and Hawaiian twang, all coupled with Rodger's own "blue yodel." A mixture of Swiss yodeling and the Negro falsetto, Rodgers took his voice past its highest note and let it break into "T for Texas, T for Tennessee," yodelling on the "T's" and then back into a normal range for the next line...
When he finally made the Tonight Show, he remembered all his own rules as he rendered his version of the discovery of America. Chris warns Isabella, "If I don't discover America, there ain't gonna BE no Ray Charles." Isabella then shrieks in the now-famous falsetto, "Chris gonna FIND Ray Charles." Since then Flip has sharpened and refined his style, which leans primarily on storytelling and body action rather than zingy punch lines. Even with all of the mugging, eye rolling and Negro dialect, Wilson's routines are inoffensive and totally devoid of racial rancor...
...wife) smile like the girls in Vogue wish they could and dance like the priestesses in Aida definitely should. But the LP blesses the ear with her Brown Baby and Afro Blue. It also offers Oscar and a Brazilian wizard named Sivuca (pianist, accordionist, guitarist, world's funkiest falsetto) singing and playing a small treasury of other inter-American gems...