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...full Chorus, with soprano soloist Dorothy Crawford, gave three excerpts from Vaughan-Williams' enchanting In Windsor Forest? the jaunty "Falstaff and the Faries," the lush "Wedding Chariot," and the sturdy "Epilogue...

Author: NO WRITER ATTRIBUTED | Title: Summer Singers Make Fine Music | 8/14/1957 | See Source »

Besides Miss Tettelbach, other leading roles in the production are played by Eugene Gervasi, as Richard II; Earle Edgerton, as Falstaff; Bruce Macdonald as Theseus; Thomas Lumbard as Lysander; and Erich Segal as Romeo...

Author: NO WRITER ATTRIBUTED | Title: Feud Interlude | 8/8/1957 | See Source »

...there was another, less roast-beefy side to Elgar ("I must go out and buy some strychnine," he said in a moment of self-criticism), and from that side came his best music-The Dream of Gerontius, Enigma Variations, the Falstaff symphonic poem, his two symphonies. Such pieces have few of Elgar's faults and most of his virtues: the imaginative orchestration, the mystical harmonies, the broad, marching orchestral drive, and the peaceful lyrical passages, which rise and fall as gently as the rolling English countryside Elgar used to roam for inspiration...

Author: /time Magazine | Title: Music: Musical Kipling | 6/10/1957 | See Source »

...trip to Texas was a worthwhile gamble. When all the rolling is done, they will share 7,743 prizes totaling $227,652. For the spectators it was always a good show. The list of top teams read, as usual, like a roll call of breweries. St. Louis' Falstaff Beer sent its 1956 A.B.C. championship Chicago team almost intact; Detroit's Pfeiffer Beer, only team ever to win three championships (1952, '53, '55), lit up the Coliseum with their brown and yellow uniforms. The Budweiser team drove down from St. Louis in a flashy...

Author: /time Magazine | Title: Sport: Prosperous & Proper | 4/22/1957 | See Source »

...Maestro's last word on Aïda ranks with his recording of Verdi's Otello and Falstaff as his operatic testament. The NBC Symphony plays with brilliant coloring and syllable-sharp instrumental detail ; the singers-some less than top drawer-are whipped almost beyond their powers to high moments of musical exaltation. The Met's Tucker, singing the full dramatic tenor role of Radames for the first time, has big, ringing power when he needs it, joined to a fervent, melting lyricism. Titian-haired Herva Nelli, Toscanini's favorite soprano, sings perhaps the finest...

Author: /time Magazine | Title: Music: The Toscanini Legacy | 3/18/1957 | See Source »

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