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Verdi: Excerpts from Falstaff (Mariano Stabile, baritone; Afro Poli, baritone; Vittoria Palombini, mezzo-soprano; Giuseppe Nessi, tenor; Luciano Donaggio, bass; La Scala Orchestra, Alberto Erede conducting; Capitol-Telefunken; 6 sides). Baritone Stabile, now 61, was the best Falstaff in the business when these recordings were originally made before World War II. Capitol's repressing job is good...

Author: /time Magazine | Title: Music: New Records, Mar. 20, 1950 | 3/20/1950 | See Source »

...have seen but for him: the Met's first Abduction from the Seraglio of Mozart, the first Alceste of Gluck, Mussorgsky's Khovanchina. He had resurrected the dusty Marriage of Figaro (now one of the Met's best performances and biggest hits), Boris Godunov, Otello, Falstaff. He brought the best of Europe's singers to the Met, but he made his era the era of the American singer too: in this year's roster of 108 singers, more than half are U.S.-born...

Author: /time Magazine | Title: Music: Thanks & Farewell | 3/13/1950 | See Source »

Actor-Manager Maurice Evans, specialist since 1935 in such classic doublet & hose roles as Romeo, Hamlet, Richard II, Falstaff and Macbeth, broke a theatrical tradition. For The Browning Version (see THEATER), he made his first Broadway appearance in what he called "an honest-to-God pair of pants...

Author: /time Magazine | Title: People: New Directions | 10/24/1949 | See Source »

...Cambridge. The performance here is no chuke job. The costumes and get are extravagantly eighteenth century, and appearing prominently in gold braid and squashed top-hat is the late W. C. Fields via Jerry Kilty as Sir Tobey Belch. In this Kilty has resisted the case of playing another Falstaff, which he does well, and instead successfully innovates a double impersonation...

Author: By Herbert P. Gleason, | Title: THE PLAYGOER | 10/8/1949 | See Source »

Fresh Flavors. In one of the book's 45 essays, Cardus compares Dr. W. G. Grace, the bearded, burly Babe Ruth of cricket who scored 54,986 runs in 43 years, to Prime Minister Gladstone, Violinist Fritz Kreisler, Bach and Falstaff; he surmises that even the champion's name was foreordained ("Could Grace conceivably have [played like] Grace, known as W. G. Blenkinsop...

Author: /time Magazine | Title: The Press: Thin-Spun Runs | 7/25/1949 | See Source »

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