Word: fame
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Dates: during 1970-1979
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...most distressing historical accomplishment of Sarris's rise to fame has been his ability to turn avowed cultism into a major dynamic in a film world previously unsullied by grotesque consumer fetishism. With Kauffmann writing for the New Republic, Dwight MacDonald for Esquire, and Robert Hatch for the Nation, film scholarship was not in the "shambles by the early sixties" that Sarris claims. And despite the spiritual association Sarris (and nearly every other film critic) attempts to make with James Agee, he is far removed from that critic's quality. Though Sarris, while writing for Film Culture, the Village Voice...
...Neal Cassady- even, within such a context, Hugh Hefner. Certainly all worthy of Who's Who, but hardly New York's Four Hundred. That most of the personalities on Wolfe's little list are also celebrities is a testament to the sheer force of their outlandishness. They've forced fame to conform to their standards: their success the result of their crazy new talents and having nothing to do with education or birth...
...BERNSTEIN party achieved fame for being the last, as well as the most publicized, Panther party. (Thanks largely to the New York Times, which sent the Curtis story out over its wire and then published its own damning editorial. Wolfe repeats the Bernsteins' conspiracy theory explanation, but defaults as a journalist in not investigating the Times' Bernstein pogrom himself.) When word of the party got around, everything suddenly went askew, other stories were cancelled, and the only radical cause left in vogue became the preservation of ocelots and cheetas. In short, the chic had hit the fan. A potential source...
Item: Françoise Sagan opened her seventh play, proving that her precocious fame sprang from the trick of being middle-aged at 18; now that she is middle-aged at 35, her characters are trying to recapture teen raptures. That is all there is to A Piano on the Grass...
...cult of the culdesac: the king of the pessimists in a bumper year for pessimists. Cioran's recent book of essays-"fragments" he likes to call them-threatens with success a man whose first principle is to hold success in contempt. See the chapter on "Fame: Hopes and Horrors...