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Word: familiar (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...play. Brought to Broadway for the first time, it is as highly individualistic, if not as technically poised, as his later works. The playwright cuts through the conventions of accepted stage behavior and the rules of the well-made play to expose the cruel and the comic, the frighteningly familiar and the terrifyingly unknown in each man's existence...

Author: /time Magazine | Title: Television: Nov. 10, 1967 | 11/10/1967 | See Source »

...named Antal Dorati's successor on the Minneapolis podium, Skrowaczewski was the conductor of the Warsaw Philharmonic and a former avant-garde composer. He had made only a handful of guest appearances with U.S. orchestras and was practically unknown in the States. Nowadays his name is not only familiar and esteemed but also correctly pronounced (Skro-vah-cheff-ski) throughout the American orchestral circuit...

Author: /time Magazine | Title: Orchestras: Big Five Plus One? | 11/10/1967 | See Source »

Ford was also burdened by another of Detroit's now familiar auto recalls...

Author: /time Magazine | Title: Autos: The Toll | 11/10/1967 | See Source »

...concept of private affluence and public squalor in the United States is a familiar one, and correct as far as it goes. But save for a rare person such as John Kenneth Galbraith, it rarely extends to the notion that public squalor includes the penury and squalor of public building and city planning. Indeed, the very persons who will be the first to demand increased expenditures for one or another forms of social welfare, will be the last to concede that the common good requires an uncommon standard of taste and expenditure for the physical appointments of government...

Author: By Daniel P. Moynihan, | Title: Moynihan Assesses the Role of Architecture | 11/4/1967 | See Source »

...Michael McClure's The Beard, which opened at a Greenwich Village theater last week, two characters made up as Jean Harlow and Billy the Kid swap repetitive obscenities for 60 minutes. To what end? If The Beard means to scandalize, it fails: its words are now numbingly familiar onstage. If it means to extol freedom of speech, it falters: its four-letter words express so little that they produce constraint of speech...

Author: /time Magazine | Title: Off Broadway: Swapping Obscenities | 11/3/1967 | See Source »

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