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Word: familiarization (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Corruption. When a party is too long in power, corruption grows, and the Republicans will benefit from voters' realization that the Democrats are caught in this familiar swamp...

Author: /time Magazine | Title: National Affairs: The Bare Bones | 8/18/1952 | See Source »

...pessimism. "To me," he said, "recent trends indicate less chance of an armistice than ever before." Van Fleet noted that the Communist army commanders, apparently sharing his view, had "spread out" their front-line forces "to wait out the end of the war." Van Fleet offered a familiar but often disregarded antidote to the poisonous gloom which has settled over Korea: "The best way to win this war is by bringing pressure on the enemy, inflicting more casualties and damage than he can take." Van Fleet sent his soldiers in to capture "Old Baldy," a tactical hill on the west...

Author: /time Magazine | Title: International: The Dregs of Hope | 8/11/1952 | See Source »

This florid tale has been given flamboyant direction with overemphasis on such familiar thriller props as jangling telephones and doorbells, blaring radios, sudden shrieks and cats yowling in the night. Gaunt, towering Jack Palance makes an unusual leading man for Joan, while Gloria Grahame gives a pungent performance as the scheming other woman. As for Joan, she suffers bravely and beautifully-in gowns by Sheila O'Brien, lingerie by Tula, furs by Al Teitelbaum, and hats...

Author: /time Magazine | Title: Cinema: The New Pictures, Aug. 11, 1952 | 8/11/1952 | See Source »

...remembered Marlene Dietrich. Her voice was far from the greatest in the world, but it had a haunting huskiness that Germans could well remember from such early Dietrich movies as The Blue Angel and from dozens of records (Jonny, Mein Blondes Baby, etc.). Actress Dietrich agreed. OSS picked familiar pop tunes and gave them brand-new German lyrics; Dietrich's recordings were broadcast to the Third Reich...

Author: /time Magazine | Title: Music: Weltschmen | 8/4/1952 | See Source »

Part of the Bayreuth revolution was the use of top singers who had not come up through the German chain of promotion (from provincial opera houses to major cities to Bayreuth). Chilean Tenor Ramon Vinay, familiar at the Metropolitan Opera but a stranger to Germany, looked handsome and heroic and sang brilliantly as Tristan. German Soprano Martha Moedl, 37, had begun to sing only eight years ago, but was a warm, natural Isolde. The Brangaene was a Ukrainian contralto named Era Malaniuk. Whatever the critics thought of the sets. they seemed to agree that the new Tristan was a fine...

Author: /time Magazine | Title: Music: Revolution (Cont'd) | 8/4/1952 | See Source »

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