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Word: familiarization (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...wide, they are also incredibly thin-perhaps even less than a foot thick. Thus every 14 years or so, when the earth passes through Saturn's equatorial plane and astronomers can get an edge-on view of the rings, their glow practically disappears. In place of their familiar, disklike shape, the rings appear as a faint, straight line, much like the side view of a phonograph record held flat at eye level...

Author: /time Magazine | Title: Science: New Moon Over Saturn | 1/13/1967 | See Source »

Wednesday, January 4 ABC STAGE 67 (ABC. 10-11 p.m.).* "The Trap of Solid Gold" explores the familiar paradox of the executive who can't live on his income. Starring those newlyweds, Cliff Robertson and Dina Merrill...

Author: /time Magazine | Title: Television: Jan. 6, 1967 | 1/6/1967 | See Source »

PETER AND THE WOLF (Verve). Bach has been the take-off point for many a jazz exploration. Why not Prokofiev, too? Arranger Oliver Nelson has appropriated the Soviet composer's famous symphonic fairy tale and begins with a straightforward statement of the familiar themes: bird, duck, cat, wolf and Peter. But then a high-spirited jabberwocky takes over as Nelson's two dozen men come on strong, paced by Jimmy Smith at the organ...

Author: /time Magazine | Title: Television: Jan. 6, 1967 | 1/6/1967 | See Source »

Called the Jeepster, a name appropriated from an early Willys model, it retains the familiar boxy design, but otherwise is a far cry from the vintage Jeep. Roadster, pickup truck and station-wagon versions (price: $2,300 to $4,000) are available, but the series' mainstay is a convertible featuring bucket seats, chrome spinner wheels, continental spare tire, and regular windows instead of isinglass curtains-plus such options as air conditioning, automatic transmission and power brakes...

Author: /time Magazine | Title: Autos: Holy Toledo! | 1/6/1967 | See Source »

...Arnstein takes such proprietary interest in his scores that he refers to them as "our music," frequently advises the composers on how to simplify complex rhythms and smooth awkward transitions. They are accustomed to Arnie's wee-hour phone calls (he knows all their working habits) and the familiar question, "Do you really mean this?" In the case of obvious irregularities, many composers trust him so implicitly that they tell him to do the patchwork. In one instance, when Arnstein was confronted with a low F for the violins-it just does not exist on that instrument-he juggled...

Author: /time Magazine | Title: Scores: Copy Cat | 12/23/1966 | See Source »

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