Word: familiarization
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...will recognized the story's reverberations of familiar mythic characters: Frankenstein, Pinocchio and Jesus. Plus the old Philip K. Dick premise of a man who doesn't know he's a cyborg, that Stanley Kubrick and Steven Spielberg borrowed for A.I.: Artificial Intelligence, and which showed up this year in Moon and Surrogates. Plus the literal underclass and upper-class strata of WALL•E. And not to forget the bereft father, twisted by family tragedy, from last week's Law Abiding Citizen. "If you lose your son like this," a fellow scientist tells Dr. Tenma...
...Writer-director Katherine Dieckmann has supplied a simple narrative thread familiar to all mothers: multitasking. This means that if you're already a mother, watching Motherhood is a little like spending a bad day with your most self-involved self. On this day, Eliza must shop for and give a birthday party for her daughter Clara, who is turning 6, care for her toddler (who, Eliza should be grateful, is always nodding off into a convenient nap) and also find the time to pen an essay about "What Motherhood Means to Me" for a contest she would like...
...These Roads Don’t Move” lines like “These roads don’t move / You’re the one that moves,” are surely meant to feel prophetic, but instead just feel insipid. As anyone even vaguely familiar with Beat literature can attest, Kerouac’s writing offers more beautifully composed images than those selected by Gibbard and Farrar to depict in song...
...Star Spangled Banner,” the former which she describes as representative of an American impulse and the latter as an attempt to aspire to the seriousness of European heritage. “Only focusing on Longfellow, Whitman, Fitzgerald, and the litany of familiar figures is to me ‘The Star Spangled Banner’ approach,” Miller says. “I feel that this book is more of a ‘Yankee Doodle’ approach, a book that people really care about and engage with, than it is an attempt...
...Pamuk blur to the point of indistinguishability—all three men come to seem interchangeable with each other, as well as with any of the narrators in Pamuk’s other books. These tiny, invisible connections unspool gradually to spin out a place both intricate and familiar, the nostalgia-saturated inverse of the fast-paced modern city: turning the first few pages of the “Innocence” feels like nothing more than coming home...