Word: familiarizes
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Dates: during 1970-1979
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Like many foreign correspondents these days, Bonfante has become all too familiar with the varieties of terrorism and what they do to people. While in the London bureau he covered Northern Ireland. He reports that the mood there, where the population is badly split, is quite different from that in Italy, where only a tiny minority of the people sympathize with the cause of the Red Brigades. Belfast is grim, day or night, but Rome - for those who are not rich or famous - is still a pleasant city by day. The tourist season is already under way. The flowers...
Knocking unsuccessful operations is always perilously easy (those that work are rarely heard about), and Stockwell's broadside is overdrawn in important respects. For instance, others who are familiar with the Angolan drama maintain it was not U.S. activity that provoked the heavy Soviet-Cuban response but South Africa's early move to send troops to support Savimbi. The South African forces moved in so swiftly that they almost captured Angola's capital, Luanda, before independence came. As for the CIA itself, Stockwell ridicules it as a bungling old-boy outfit fraught with favoritism and burdened with...
...huddle in the shelters. He decides to stand guard outside the shelter for most of the night.... At the height of the explosions, which are now shaking the kibbutz and drowning out even the loudest singing, the group bursts into a Hebrew chorus of a tune that sounds familiar to me. It is "Where Have All the Flowers Gone?" --a vestige of some long-ago childhood memories of the Vietnam protests...
Read treats this new wrinkle in an otherwise familiar story as fact-until, in a final section oddly called "Corroboration," he suggests that the Nazi connection was another tickle, a hoax designed to hook the publisher. Read then exits rather sheepishly with the classic copout, "Let each reader decide upon its veracity for himself." In an era of recycled journalism and package publishers who may be soon calling books "entertainment systems," everybody aboard The Train Robbers appears to have it both ways. Even the reader, who can spook himself with the thought that the SS rides again or ignore this...
...Cockpit and Blind Date. But there is a crucial difference. Kosinski's fiction is cold, clinical, beyond ideaology or feeling. In the Eighth Sin, vengeance is passionate, even humane. Though the book's structure is somewhat programmatic. Kaufer, a senior editor of time, has given the familiar documentary evidence of the death camps and their aftermath a persuasive and moving life in fiction...