Word: famous
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Dates: during 1960-1969
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Many critics have tried to prove this proposition (the most famous of these is Robert Warshaw's essay "The Western" included in Dan Talbot's Film: An Anthology). Their reliance either on not calling a film a western merely because it does not fit a presupposition or on setting up as many as ten distinct types of westerns (the lone man western, the calvary western, the adult neurotic western, etc.) should be evidence in itself of the dubious quality of this theory. However, what concerns me more at this moment is the effect this idea has on filmmakers themselves...
...readymade" objects, including a snow shovel and a urinal, as artistic creations, and saw that idea take root. Then, having shaken the pillars of traditional esthetics, he abandoned art altogether. In 1923, not yet 40, Duchamp settled down to a life of chess, pipesmoking, reflection-and grew even more famous...
...paint Biblical subjects in Oriental settings. Executed with sinuous vigor of line and a dramatic use of chiaroscuro, these pictures had much in common stylistically with Edouard Vuillard and Art Nouveau. When Daniel in the Lion's Den was shown in the Paris Salon in 1896, the famous French history painter Jean-Leon Gerome insisted that it be given a place of honor. When the Raising of Lazarus was shown in 1897, it was awarded a medal and purchased by the French government for the Luxembourg Gallery...
William Esty Co. created Noxzema shave cream's famous TV ad, in which Gunilla Knutson whispers "Take it off, take it all off." Soon after that caught on, Young & Rubicam hired an actress with a throaty voice, just like Gunilla's, to implore, "Put it on, put it all on" -an appeal for customers to buy Plymouths and load them with all manner of optional equipment. Eagle Shirtmakers' color-naming contest of five years ago-in which the winning entries included Foreseeable Fuchsia, God's Little Ochre and Hot Chestnut-was revived this spring by Young...
...OPHULS' camera motions create the famous 'romanticism' of his films. The pans and traveling shots of The Exile (1947) don't just follow his characters; they give an extraordinary grace and sweep to the characters' motion through their physical surroundings. The shift from a male to a female protagonist in Letter from an Unknown Woman (1948) gives the film, which is told through her narration, a sense of memory which freezes certain images, and of personal isolation which somewhat dwarfs the heroine in her opulent surroundings. The relations between characters in Madame de.... (1953) feel still more detached, more based...