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...came much more of the work we think of as quintessentially Bauhaus: spare, sharp-lined products like Marianne Brandt's geometric tea-and-coffee sets and Josef Albers' austere little stacking tables. Marcel Breuer devised his soon-to-be-famous tubular steel chairs with their bands of stretched black canvas, a skeletal combination of lines and taut planes that looked like an X-ray of a chair. Even then, while factory production may have been the aspiration for many pieces, old-fashioned handcraft may still have been the method behind them. The interlocking grids of Albers' glasswork Goldrosa give...
...major at UCLA said the cuts are significant. "Upper division classes that once had 30 students now have 80 or 100 students and there are no teaching assistants. Professors are giving true-false, multiple choice Scantron exams." Nicole Garner, a fourth year at UC Riverside, blames the state's famous tax revolt for the university's financial troubles. "Proposition 13 has to go," Garner said...
Francisco’s material often lampoons contemporary movies, music—he can produce compelling “techno” using only his voice—and culture. His ability to impersonate famous personalities, various ethnic accents, and characters from films has primarily contributed to the success of his satire. According to Francisco, developing this talent stems from self-assurance: “Once you get a couple impersonations down, you start to feel confident that you could probably go further.” Although these impressions appear effortless on stage, they often require a good deal...
...seen over, and over, and over again.” Coupling his ability to mimic LaFontaine to a repertoire of actor imitations, from Keanu Reeves to Al Pacino, Francisco is perhaps the only stand-up comedian who can act out an entire movie trailer live. His most famous faux cinematic concoction is “Little Tortilla Boy,” an action flick starring Arnold Schwarzenegger as a street vendor trying to protect his tortilla business from the mob. The “trailer” ends with Francisco beatboxing a pounding bass while running in place in slow...
Rosero’s choice of name for his protagonist puts us in mind of another famous first-person narrator and survivor of catastrophe: Herman Melville’s Ishmael, who lives to tell the tale in “Moby Dick.” Melville’s epilogue is taken from the book of Job: “And I only am escaped alone to tell thee.” Like Job, Rosero’s Ismael has no part in the processes governing the destruction of his life but is forced to take up the challenge...