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...that this really matters to the determined activists of CACMA, who are convinced bullfighting is losing traction in Spanish society. That notion is disputed by Ruiz Villasuso, who says this year's attendance will hit record heights. Moreno Abolfario counters by saying that even more famous fighters will now perform in portable rings, temporary and therefore unprestigious corridas set up in smaller, less affluent towns. "Five years ago," he says, "none of the main stars would fight in a portable ring." With the decline in attendance, he argues, they are now forced to. "[In Spain] young people pass on bullfights...

Author: /time Magazine | Title: In Spain, No Ole for Bullfights | 8/6/2007 | See Source »

...Even the controversy about the mysterioso ending of L'Avventura could be seen as good showmanship: give 'em something to talk about on the way out of the theater. Antonioni's films soon became famous for their endings. The last 7-1/2 mins. of Eclipse comprises a series of static, underpopulated street scenes in which none of the major characters appear. Blowup we'll get to in a moment, and Zabriskie Point ends with the shot of a house ... that blows up. The next-to-last scene of The Passenger is one continuous, wildly elaborate tracking shot that lasts...

Author: /time Magazine | Title: When Antonioni Blew Up the Movies | 8/5/2007 | See Source »

...study, devote my life to." Here, we saw, was no mere director, collaborating on scripts with other writers, but a full-service auteur. Except for The Virgin Spring, written by Ulla Isaksson, and The Magic Flute, a faithful rendition of the Mozart opera, all of Bergman's most famous film stories sprang from his own fertile, febrile brain - from childhood memories and adult adulteries, from his copious trunk of obsessions and grudges...

Author: /time Magazine | Title: Why Ingmar Bergman Mattered | 7/30/2007 | See Source »

...dispute with Swedish authorities exiled him to Norway and Germany for a few years, where he made The Serpent's Egg (with David Carradine), Autumn Sonata (with that other famous Bergman, Ingrid) and From the Life of the Marionettes. But Sweden, love it or hate it, was the home he loved to be estranged from, and he returned there, to Faro and the isolated island of his mind. In TV interviews, Bergman could be a charming, engaging fellow. But his films were truer reflections of "the solemn Swede," as he was called then...

Author: /time Magazine | Title: Why Ingmar Bergman Mattered | 7/30/2007 | See Source »

...guests gathered jovially on a summer Saturday afternoon to celebrate the opening of the newest stall in Barcelona's famous Boqueria market, an elderly man pressed awkwardly to the front of the crowd. He quickly congratulated the new establishment's owners, then, with a wistful smile, turned and left. Jaime Ross had previously owned the stall, which he had run for 60 years. It had been held by his family for four generations before him. But it was more than the name of the proprietor that changed when a family bereavement forced Ross to sell: What had once been...

Author: /time Magazine | Title: Heresies in a Culinary Cathedral | 7/27/2007 | See Source »

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