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...Wolf. Grim Natwick, who created Betty Boop for another studio, was the early specialist in femininity. Eric Larson's skill with cute round little animals contrasted nicely with John Lounsbery's sleek menace-Cruella in One Hundred and One Dalmatians, Alex Alligator in Fantasia. That film, of course, was the great test of the studio's range and included such marvelous, unprecedented imagery as Wolfgang Reitherman's massed battling dinosaurs and the dark demonism of Vladimir Tytla's work on the Night on Bald Mountain sequence...

Author: /time Magazine | Title: Cinema: The Great Era Of Walt Disney | 7/20/1981 | See Source »

...that one leaves the Lost Ark with the feeling that, like the best films of childhood, it will take up permanent residence in memory. Such filmgoing experiences are, of course, what turned Lucas and Spielberg into film makers. The latter speaks particularly of the lasting impression Disney's Fantasia made on him - "life seen through different eyes...

Author: /time Magazine | Title: Cinema: Slam! Bang! A Movie Movie | 6/15/1981 | See Source »

...Rings (1978) into animated features posed insufficient challenge to a man who contains Whitmanesque multitudes. Now he would tell, in an hour and a half of cartoons, the story of 20th century America and its popular music. American Pop would be a nipper version of Disney's Fantasia, and something more: a dirge for lost patriarchy, for the sermons and sins of fathers everywhere, personified by four generations of American pops. One father would die in a tsarist pogrom; the next would become a friend of organized crime; the third would eat Nazi bullets in World...

Author: /time Magazine | Title: Cinema: Punk Fantasia | 4/6/1981 | See Source »

...AMERICAN POP, Ralph Bakshi tries to do for pop music what Walt Disney did for classical in Fantasia, expanding the melodies into coherent, complex visual experiences. Unfortunately, while Bakshi's animation technique often stupefies, his jumbled, negative vision drags his effort down...

Author: By David M. Handelman, | Title: American Popaganda | 3/18/1981 | See Source »

From the air Medford at first looks fairly familiar, a blacktop and stucco fantasia of gas stations and fast-fooderies sprawling out along a meandering, not-too-clean creek. But the mountains that rim the valley are tipped with snow and trimmed with dark firs that wipe the skyline like distant eyelashes. "Gee, Dad," the boy says, nose pressed to the window, "could we really move out here...

Author: /time Magazine | Title: In Oregon: An Adman's Call of the Wild | 2/9/1981 | See Source »

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