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...longer simply the fundamental primitive imagist (the psychedelic merchants preempted that role), but a giant corporation whose vast assembly lines produced ever slicker products to dream by. Many of them, mercifully, will be forgotten, but the essential Disney creations, the cartoon comics, the full-length animated features such as Fantasia, Snow White, Bambi, Pinocchio, Cinderella-even that fantasy-filled 300 acres of dream puff called Disneyland-will remain as monumental components of American culture...

Author: /time Magazine | Title: WALT DISNEY: Images of Innocence | 12/23/1966 | See Source »

GUSTAV HOLST: A CHORAL FANTASIA/ PSALM 86 AND GERALD FINZI: DIES NATALIS (Everest). An opportunity to compare two widely diverging paths in modern vocal music. Hoist is sophisticated and eclectic: his bold Fantasia has a concerto-like role for the organ along with choral and solo sections; in the Psalm, he spins a gossamer a cappella prayer. By contrast, Finzi's quiet music comments on the lyrics, in this case Metaphysical Poet Thomas Traherne's musings on the innocence and beauty of children. Tenor Wilfred Brown's impeccable diction helps to make this a delightfully accessible, intimate...

Author: /time Magazine | Title: Television: Jul. 15, 1966 | 7/15/1966 | See Source »

Wilkinson's vocal and instrumental score is unsurpassably integrated. There are about two dozen cues, ranging from five seconds to five minutes. We have Gregorian chants, and an organ fantasia in the style of Cabezon. But most noteworthy is the substantial amount of Indian music and sound effects, performed both on and off stage. This has been meticulously written out, with a vast instrumentarium including slide-recorders and some twenty varieties of exotic percussion. Its impact is indescribable...

Author: By Caldwell Titcomb, | Title: The Royal Hunt of the Sun | 11/9/1965 | See Source »

Renaissance Fantasia. Passing from gallery to gallery becomes a kind of progressive Elysian cocktail party. Nowhere in the world does such a trio of great Manets dominate a wall as do the Met's three restored portraits in Spanish costumes. El Greco's alabaster Cardinal Niño de Guevara glowers within sight of the Spanish master's only landscape, View of Toledo, and his last great commission, St. John's Vision. In adjacent quarters Poussin's Sabine women are abducted in the passionless postures of French neoclassic actors. Through another doorway the visitor...

Author: /time Magazine | Title: Museums: The Muses' Marble Acres | 3/19/1965 | See Source »

...show the effervescent character of baroque art, a huge, gilded 17th century harpsichord is placed against a wall of Tiepolo's levitating flights of linear fancy. And in the center of a room coated with Italian 16th century masters rests Benvenuto Cellini's great cup, a Renaissance fantasia 7½ in. high, in which a turtle and a dragon balance a seashell in gold, enamel and pearls...

Author: /time Magazine | Title: Museums: The Muses' Marble Acres | 3/19/1965 | See Source »

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