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INSTRUMENTAL: Pieces often played by students reveal unsuspected subtleties as Glenn Gould makes eloquent the several voices in Bach's Two-and Three-Part Inventions (Columbia) and Artur Rubinstein turns Chopin's Waltzes into lilting, sparkling poems (RCA Victor). Sviatoslav Richter makes Schubert's "Wanderer" Fantasia sing (Angel), and John Browning premieres what may become one of tomorrow's classics, though not too different from yesterday's: Samuel Barber's 1962 Piano Concerto (Columbia...

Author: /time Magazine | Title: On Broadway: Dec. 25, 1964 | 12/25/1964 | See Source »

Perhaps only a city that grew up around a stockyard could appreciate the art of Ivan Albright, now 67. And last week there it all was, 60 works in Chicago's Art Institute, in a fantasia of wattles, dewlaps and varicose veins, the lifetime work of Chicago's painter laureate. It is an exhibition for strong stomachs. Limbs were blotched and misshapen, rolls of flesh sagged swollen and pocked. In the background of the paintings were tumbles of battered objects, microscopically detailed, and all in ripe decay. Presiding over this exhumation was the master himself, smooth jowled...

Author: /time Magazine | Title: Painting: Grandeur in Decay | 12/18/1964 | See Source »

...program will consist of Sonata No. 6 in G Major by J.S. Bach; Sonata in F Minor, Opus 80 by Prokofleff; Sonata in E by Hindemith; and Fantasia in C Major, Opus 159 b Schubert...

Author: NO WRITER ATTRIBUTED | Title: Laredos to Perform, In Sanders Concert | 7/17/1964 | See Source »

...course, the concert closed with Tschaikovsky's Romeo and Juliet overture-fantasia, a lovely work even if it has been played to death. Again, one couldn't miss a very few wrong notes, but, in general, the orchestra did a fine job. It is indeed pleasant to report how for the Cambridge Civic Symphony has come in two years...

Author: By Andrew T. Weil, | Title: Cambridge Civic Symphony | 7/7/1964 | See Source »

Hubley has been involved in many of the major developments of motion picture animation since the Thirties. At the Disney studio during its most creative period, Hubley drew the "Rites of Spring" sequence for Fantasia. After the war he supervised production of the UPA greats, including Tell-tale Heart and In Henry's Backyard, as well as McGoo and McBoing-boing. And he has pioneered the development of cell "animage" techniques for graphically rendering human motion and spatial depth...

Author: By Kathie Amatniek, | Title: John Hubley | 6/1/1964 | See Source »

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