Word: fantasias
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Dates: during 1970-1979
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Bach, Italian Concerto, English Suite No. 2, French Suite No. 6, Fantasia in C Minor (Pianist Alicia de Larrocha; London, $5.98). Once best known for her exquisite interpretations of fellow Spaniards like De Falla, Turina and Granados, De Larrocha has been cutting a new Continental image for herself in recent years. That includes some scintillating Chopin and Mozart, and now this disk, which is breathtaking in its dramatic separation of contrapuntal lines, ravishing ornamentations and sheer pianistic delight...
...before Anthony Newman came along. Last week, with just that program, Harpsichordist-Organist Newman not only sold out Manhattan's 2,836-seat Philharmonic Hall to a mostly young, blue-jeaned audience, but after nearly three hours, had them cheering for more. After Newman played Bach's Fantasia and Fugue in G Minor on the pedal harpsichord, he trotted onstage for a curtain call, shoulders hunched in a simian crouch, folded his hands in a Zen gesture of thanks. Grabbing his score from the harpsichord, he waved it over his head, signaled for quiet and asked...
AFTER SEEING a production of Chekhov's The Cherry Orchard, George Bernard Shaw said, "I feel as if I want to tear up all my plays and begin all over again." Soon afterwards he began writing Heartbreak House. Although he subtitled the remarkable work "A Fantasia in the Russian Manner on an English Theme," the played turned out to be a quintessentially Shavian treatment of "cultured, leisured" British society before World...
Though the fantasia is perhaps not its author's best, it is hardly tiresome. The world of the play exudes an almost magical aura--one that is certain to attract critical attention, if not always praise. Casting the apocalytic spell, the Harvard Summer School Repertory Theater's rendition of Heartbreak House is unquestionably the Loeb's best production. The company seems to hit its stride with Shaw's difficult play. All the elements of theater--acting, directing, set and light and costume design--are functioning at their best in this third of three plays in repertory...
...bombs that fall that evening happen to miss Heartbreak House. The historical questions are asked and left unanswered in both the play and the production. Simply providing excellent acting, staging, and technical accouterments, the artists at the Loeb let the fantasia take care of itself--which it does very nicely. -Elizabeth Samuets