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...Fantasia-Sevilliana by Joaquin Turina, Fisk's instrument immediately filled the Gardner's tapestried concert hall with its booming sound. The Turina, a work from this century, evokes traditional images of bull-fighting and Spanish dancing. Luigi Boccherini carried these ideas back to Italy more than a century before with his own guitar works...

Author: By Daniel Altman, | Title: Fisk Embellishes Classical Guitar | 3/9/1995 | See Source »

...know how to do these things, too." What's wonderful about Broadway right now is who's being commercial: A woman who's written a play about three women over 40 with a 54-year-old star and a guy who's written a "gay fantasia." It's terrific, it's just that there should be more. There should be ten or twenty, if more theaters could stay open and ticket prices were less. But this country, it's very interesting: I mean the thought that "Philadelphia" is the number-one movie or that Tony [Kushner] has had a remarkable...

Author: By Vineeta Vijayaraghavan, | Title: WENDY WASSERSTEIN | 1/26/1994 | See Source »

...played his favorite track on the album: Cantaloop (Flip Fantasia...

Author: /time Magazine | Title: Rap's New Jazz Messengers Us | 1/24/1994 | See Source »

...answer. Koch Schwann has issued Symphony No. 1, "1959"; Choros I, a major work for string orchestra from 1964; and the brief Three Pieces in the Old Style (1963) for strings. From Elektra Nonesuch come two recent string quartets, Already It Is Dusk (No. 1) and Quasi una Fantasia (No. 2). The result is a fuller, rounder picture of an uncompromising modernist who just may be the Bruckner...

Author: /time Magazine | Title: Not Just a One-Tune Man | 9/20/1993 | See Source »

Gorecki's compositional language has changed over the years; it is a long way from the atonal pointillism of the Symphony No. 1 and the relentless brutality of the Choros I to the contemplative beauties of the Quasi una Fantasia quartet of 1991. The symphony, so typically "modern" in its harsh sonorities and deliberate absence of melodic appeal, is not much different from what Boulez and others in Western Europe were doing at about the same time; the Choros, meanwhile, is clearly influenced by Gorecki's countryman Krzysztof Penderecki, notably by the Threnody for the Victims of Hiroshima...

Author: /time Magazine | Title: Not Just a One-Tune Man | 9/20/1993 | See Source »

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