Word: farberman
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Dates: during 1960-1969
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DEDICATED TO DOLPHY (Cambridge). "Jazz has evolved from a folk music into an art music," said Gunther Schuller, explaining the kind of atonal, far-out compositions that he, John Lewis, Harold Farberman and Bill Smith have written for this album. The results are cooler and more cerebral than those of Eric Dolphy, the late wild-blowing, note-bending alto saxophonist. But Bill Smith (on clarinet) and the other instrumentalists are first-rate, and the music, though it seldom swings, consistently sizzles...
CLASSHICAL PERCUSSION (Cambridge). Harold Farberman is one of a group of contemporary composers who, in trying to bridge the gap between classical music and jazz, have jumped with something of a splash into what is called "the third stream." A former whiz-bang drummer with the Boston Symphony, Farberman concentrates on percussion in his compositions, uses other instruments sparingly. In Evolution, a French horn appears briefly as well as a voice (Phyllis Curtin's). Progressions' percussion is punctuated by a flute. Impressions is said to be about painters, including Jackson Pollock, who would probably never recognize himself...
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