Word: farely
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Dates: during 1970-1979
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These and a host of other equally shocking products are becoming increasingly common fare at porn shops and sex-oriented mail-order houses across the nation. They are part of the newest growth area pushed by the booming, billion-dollar pornography industry: child porn...
...AMUSEMENT FARE, An Evening of Bernstein is like a wildly assorted selection of leftovers from a good French restaurant. This smorgasbord is better and by far more interesting than what is usually served around Harvard; each dish by itself would be quite delicious. But some bits seem stale, there isn't really enough of any one thing, and the subtle flavors of some concoctions are drowned by the stronger flavors of others...
...plans works that are on a large scale (one sculpture planned will be four stories high), but that nonetheless invite rather than repel people. Similarly, the sculptures in this exhibition manage at once to personify music with their rhythmic compositions and to feast your eyes with more substantial fare--knotty wood with the nails and lumbermarks still showing. This self-conscious structure belies the seemingly organic and hence (you might have thought) unconscious "growth" of, say, the bud-like forms at the top of La Primavera. This is a tall square column, 9-10 feet tall with cut-out semi...
Rosemary's Baby. This Polanski effort, made back when Mia Farrow was still Big Frank's wife, is simply awful film fare. The case of the beautiful young actor's wife who bears the child of the devil, with the aid of the creepy people downstairs and tanin leaves, is just boring--the sense of horror builds so slowly the movie passes like a bad dream. Farrow gives a jittery, flittery performance; I leave it to you to place the blame--can she act, or is it merely what she has to work with? This film goes over like...
...Arabesque, Second Time" appears a bit more tense, but her leg has yet to ascend above the line of the backbone and the pose is held confidently. The culminating pose, however, the "Grand Arabesque, Third Time" (of which there are five or six variations in the exhibit) does not fare so well. The dancer has begun to lose her balance; and Degas communicates this with subtle wit by having her thrust her right arm away from the wing-spread position and lock elbow out in front--down towards the ground. Her palm has opened and is ready to break...