Word: fares
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Dates: during 1990-1999
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Although the A-team was not as strong as a couple other A teams, the Harvard B team was much stronger than other B teams suggesting that the Crimson will fare better in intercollegiate matches than in this format...
Blake Edwards' plot is standard gender bender fare: Victoria Grant, an Alabama soprano penniless in 1930s Paris, is persuaded by the gay Toddy (Jamie Ross) to pretend that she is really a man playing a woman. Who better, after all, to play a woman than a real woman? Victoria thus becomes 'Count Victor Grazinsky, Europe's greatest female impersonator and soon finds herself the reception of much acclaim. However, as she achieves success, she finds herself falling for King Marchan (Dennis Cole), a Chicago businessman/gangster, who in turn is anguished by his attraction to this 'man.' In this happy world...
...visit are the Bedroom, which under most circumstances is far more comfortable than sleeping accommodations in more civilized countries, and the Kitchen where natives of Home often indulge in excessive culinary delights. Be aware that as a visitor, you will be expected to consume large amounts of local fare. Refusal to accept native cuisine will in many cases be considered a personal insult. (Note: The word "snack," common in native vocabulary, is often used to describe the local custom of consuming food every five minutes.) In the evenings, attractions may include rented movies, video games, visits from tribal chieftains from...
...been beloved ever since its 1950 opening. It won several Tonys then and collected even more during its revival in 1992, according to the program notes by director Colleen McGuinness '99. This, however, sets up a potential problem. The show has been adored for years for its fantastic fare of catchy songs, flamboyant characters and amazing dance numbers; like-wise, its immense popularity puts a good deal of pressure on any group that chooses to perform...
...dancing! Oh, the dancing! Such fare is rarely seen on a Harvard stage, and is almost never pulled off with this much energy and ingenuity. It's almost impossible to believe that Guys and Dolls is the first production that Jim Augustine '01 (who, incidentally, played Roy Cohn in last year's spectacular Angels in America) has ever choreographed. As mentioned earlier, the "Hot Box" numbers bring campiness to delightful new heights; in addition, "The Crapshooters' Dance" stuns and enchants with the intensity and intricacy of the moves. Choreographing a well-loved musical is tricky; one wants to create original...