Word: farnum
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...make a dollar, and Hickok, to drink and gamble his way into oblivion. "Hickok was acutely aware of his time having passed," says Carradine. "He had outlived his usefulness." Throw in abused prostitute Trixie (Paula Malcomson); Alma Garret, a laudanum-addicted lady from back East (Molly Parker); and E.B. Farnum, a hotel owner and Swearengen's beaten-cur sycophant (William Sanderson, Newhart's Larry), and you have a typical--if dysfunctional--horse-opera cast...
ALSO FINE is Margaret Downey as Adele Farnum, Shrike's target. Aided by apt makeup and costuming, she fits comfortably into the '30s atmosphere, capturing well the archness of the classic tease. Miss Lonelyhearts' newsroom colleagues also do a more than adequate job. Derek Pajaczkowski as Ned Gates, "The failure incarnate," swings adroitly between hope and bitterness, and Brian Foley as "Flash" Goldsmith excels at wry faces. Less convincing is Brooke Davida Waxburg's Mrs. Shrike, more fluttery than seductive, while Holly Blatman as Betty--"the typical American girl, well-scrubbed and soft as steel"--labors courageously with the worst...
...favorite posture, looking backward, Hoffman recalled his circular route from Los Angeles to New York in a series of interviews with TIME Reporter Carey Winfrey. Hoffman's father was a furniture designer, middle-class and Jewish. His mother was a movie fan and named him after Dustin Farnum, the silent-screen cowboy (his older brother is Ronald, for Colman). The game of the name made Hoffman a loser from childhood. "I always used to wish there was another Dustin in class," he recalls. "When you're poked fun at?they used to call me 'Dustbin'?you either go inside...
...Farnum Pollard, general manager of the Sage Market, said that he is still "neutral" about the strike and will consider the YPSL demands today when he meets with Kelman...
...head of a syndicate that included a struggling vaudeville producer named Jesse Lasky and a glove salesman named Sam Goldfish (later Goldwyn), it was enough that he had the drive and energy to put together The Squaw Man, Hollywood's first full-length flicker, with He-Man Dustin Farnum. By the time DeMille produced his fifth movie, The Man from Home, in 1914, he was a slick showman. He was experimenting with artificial lighting, using shading to create the illusion of depth. When a wire from Goldwyn complained that exhibitors would pay only half price for a half...