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Before he went to work on this week's cover story, TIME Cinema Critic Stefan Kanfer made a point of meeting his subjects-Mia Farrow and Dustin Hoffman. "No matter how good the reporting," he explains, "it's important to find some things out for yourself. I like to get people's music, to see at first hand what they look and sound like." Kanfer visited the set of John & Mary, had lunches with Farrow and Hoffman, and came away with new enthusiasm for his assignment. Hoffman he found a "natural," Farrow a "supernatural." Cinema Reporter...

Author: /time Magazine | Title: A Letter From The Publisher: Feb. 7, 1969 | 2/7/1969 | See Source »

...Mary and John? The ad announcing the new production says it in ideographs: Rosemary's baby carriage perched atop Mrs. Robinson's knee. Mia Farrow, 23, and Dustin Hoffman, 31. The wandering waif and the victim of the middle class. Mrs. Sinatra and Mr. Acne. Novelist Flannery O'Connor put it another way: "Everything that rises must converge." The casting together of the two fastest-rising performers in the business was inevitable?it always is. But it once took half a career to manage the box-office mergers of Jimmy Stewart and June Allyson or Spencer Tracy and Katharine Hepburn...

Author: /time Magazine | Title: Cinema: The Moonchild and the Fifth Beatle | 2/7/1969 | See Source »

Different as they are in conversation, background and life style, Farrow and Hoffman remain peculiarly identical in their view of films and their down-look on Hollywood. For the moment at least, they share a professional bond as foremost symbols of a freshening in American cinema: They are even valid sex symbols: the man with the postgraduate face, the mixed-up, half-hippie woman with fear in her eyes...

Author: /time Magazine | Title: Cinema: The Moonchild and the Fifth Beatle | 2/7/1969 | See Source »

Wallace Stevens once wrote that a community of originals is not a community. But each year brings more originals, more actresses like Mia Farrow, who asks: "What does it mean to be a star today? The only real value it has is in being offered more and better parts." And Dustin Hoffman, who says, "I've always had this fantasy?every actor has, I guess?that when I made it, I'd be able to do whatever I wanted." Up in the Hollywood hills, the superstars may grumble at the youngsters who have turned their backs on the old values...

Author: /time Magazine | Title: Cinema: The Moonchild and the Fifth Beatle | 2/7/1969 | See Source »

...anti-star attitude itself threatens to become a new pose or convention in which the Hollywood swimming pool is replaced by the interesting East Side pad, the Valley ranch by a Martha's Vineyard retreat, the antic table-hopping by frantic political activism. At any rate, both Farrow and Hoffman live and breathe the new freedom; both have opted for the small apartment over the big house, the East over the West, Both feel that though there may be New York and New York, and Chicago and Chicago, there is only one Los Angeles. "I'm not connected with...

Author: /time Magazine | Title: Cinema: The Moonchild and the Fifth Beatle | 2/7/1969 | See Source »

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