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Word: fasano (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...though piccolo means small, the Piccolo Teatro Musicale stands for something very big in music today-a burgeoning interest in the baroque and post-baroque. Its leader, Renato Fasano, has played a pioneering role in bringing back Vivaldi and Corelli with his celebrated chamber ensemble Virtuosi di Roma. Now he is doing the same thing for the chamber operas of such composers as Paisiello, Cimarosa and Rossini...

Author: /time Magazine | Title: Music: Pioneering the Old | 4/26/1968 | See Source »

...York audience, nurtured in the Metropolitan Opera's grand-opera tradition, found a welcome change in Fasano's creation of an intimate, two-century-old court tradition. They chuckled when Italian Clown Sesto Bruscantini scored a solid single in Cimarosa's 18-minute solo opera Il Maestro di Cappella, and then roared out loud as Bruscantini and Carlo Badioli, an even funnier man, rapped out a two-bass hit with the huffa-buffa La Cambiale di Matrimonio, Rossini's first stage work. This week the troupe will pack the show on their backs for a brief...

Author: /time Magazine | Title: Music: Pioneering the Old | 4/26/1968 | See Source »

GLUCK: ORFEO ED EURIDICE (RCA Victor; 3 LPs). An opera for people who do not like singing, Orfeo is long on dances, and its best-known aria (in the Dance of the Blessed Spirits) is reserved for a flute. Renato Fasano and the Virtuosi di Roma give a pastel but translucent orchestral performance, almost otherworldly, as befits the score. Unfortunately, the singers are a bit too bloodless, even the promising young mezzo, Shirley Verrett, who sings Orfeo...

Author: /time Magazine | Title: Television: May 27, 1966 | 5/27/1966 | See Source »

...PEGGY FASANO...

Author: /time Magazine | Title: Letters: Feb. 23, 1962 | 2/23/1962 | See Source »

Paisiello: The Barber of Seville (Grazielli Sciutti, Nicola Monti, Rolando Panerai, Renato Capecchi; Virtuosi di Roma, conducted by Renato Fasano; Mercury, 2 LPs). "He has received the homage of his age and has assured to himself that of posterity." Thus Giovanni Paisiello (1740-1816) paid tribute to himself in a contemporary dictionary. Unfortunately for his prediction, a rival named Rossini later wrote his own Barber of Seville and drove the older work from the stage. In this recording, Paisiello's Barber emerges as a smaller-scaled work than Rossini's but with a gay, quicksilvery score, some limpidly...

Author: /time Magazine | Title: Music: Classical Records | 12/5/1960 | See Source »

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