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...though piccolo means small, the Piccolo Teatro Musicale stands for something very big in music today-a burgeoning interest in the baroque and post-baroque. Its leader, Renato Fasano, has played a pioneering role in bringing back Vivaldi and Corelli with his celebrated chamber ensemble Virtuosi di Roma. Now he is doing the same thing for the chamber operas of such composers as Paisiello, Cimarosa and Rossini...

Author: /time Magazine | Title: Music: Pioneering the Old | 4/26/1968 | See Source »

GLUCK: ORFEO ED EURIDICE (RCA Victor; 3 LPs). An opera for people who do not like singing, Orfeo is long on dances, and its best-known aria (in the Dance of the Blessed Spirits) is reserved for a flute. Renato Fasano and the Virtuosi di Roma give a pastel but translucent orchestral performance, almost otherworldly, as befits the score. Unfortunately, the singers are a bit too bloodless, even the promising young mezzo, Shirley Verrett, who sings Orfeo...

Author: /time Magazine | Title: Television: May 27, 1966 | 5/27/1966 | See Source »

...PEGGY FASANO...

Author: /time Magazine | Title: Letters: Feb. 23, 1962 | 2/23/1962 | See Source »

Paisiello: The Barber of Seville (Grazielli Sciutti, Nicola Monti, Rolando Panerai, Renato Capecchi; Virtuosi di Roma, conducted by Renato Fasano; Mercury, 2 LPs). "He has received the homage of his age and has assured to himself that of posterity." Thus Giovanni Paisiello (1740-1816) paid tribute to himself in a contemporary dictionary. Unfortunately for his prediction, a rival named Rossini later wrote his own Barber of Seville and drove the older work from the stage. In this recording, Paisiello's Barber emerges as a smaller-scaled work than Rossini's but with a gay, quicksilvery score, some limpidly...

Author: /time Magazine | Title: Music: Classical Records | 12/5/1960 | See Source »

Last week 14 brand-new recordings began spinning on Italy's phonographs. Made by such top performers as the two Fasanos, a blonde-brunette sister team, and Singer Carla Boni and the Angelini Orchestra, the tunes were the kind that might be danced to in any cantina, whistled by any office boy. But the lyrics were different. Sang the Fasano sisters to a one-step that sounded something like The Donkey Serenade...

Author: /time Magazine | Title: Religion: The Word & Music | 10/1/1956 | See Source »

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