Word: fascinatin
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...first half of his Times review entirely on her - 'Adele Astaire Fascinates,' ran the headline - and could say no better of Fred than that he 'participates enthusiastically and successfully in most of Miss Astaire's dance offerings'." When audiences looked at Adele and Fred, they certainly thought she was fascinatin' with 'im, and probably without...
...Berlin's musical dexterity was both obvious and ingratiating. He heard Gershwin play with syncopation in "Fascinatin' Rhythm," then executed his own elaborate, fairly daring ricochet rhythms in "Puttin' on the Ritz," "Monkey Doodle Doo" and "Everybody Step." Profligate with melody, he tossed extra bridges into "Doin' What Comes Natur'lly" and his longest (64-bar), finest construction, "Cheek to Cheek." The strange chord shift in bridge to "You're Laughing at Me" has endeared the song to jazzmen...
Examples abound in the Pearl series. The easy virtuosity of Pauline Alpert's Rain on the Roof, with its cascading arpeggios and delicate filigree work, matches the best that classical contemporaries like Josef Hofmann or Josef Lhevinne had to offer. Her performance of Gershwin's Fascinatin' Rhythm out-Gershwins the great man himself. Confrey's rhythmically tricky 1921 showpiece, Kitten on the Keys, is novelty's signature tune, but his Humorestless, a clever musical pun on both Dvorak's Humoresque and Stephen Foster's Old Folks at Home, is equally typical of his exuberant style. Most ambitious...
...lone exception is Adriana Suarez, whose sultry interpretations of "Fascinatin' Rhythm" and "Loving That Man" (the latter with the versatile Armand) were the only memorable highlights of the piece. Suarze's sensuousness captures the melancholy spirit of the music perfectly, drawing the empathy of the audience...
George Gershwin's early years were the heyday of ragtime and the blues, of barroom and bordello "perfessers" in spats and hats, of Tin Pan Alley song pluggers and sidewalk player pianos, whose invisible hands held passersby enthralled with their fascinatin' rhythms. So young George was only doing what came naturally when, at age 18, he sat down to cut a piano roll of his first published song, a frisky ditty called When You Want 'Em, You Can't Get 'Em, When You've Got 'Em, You Don't Want...