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Word: fascisti (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Most people probably know that Pound was a traitor during the war, a collaborator with the Fascisti in Italy. But few probably know how he arrived at that point. It started with his departure from Paris in the fall of 1924--he was fed up, some of his friends say, with helping other writers with their works. By that time he had already edited Eliot's "The Waste Land" into shape and he had exerted a lot of energy getting enough money for Joyce to finish Ulysses in Zurich. Countless others relied on his abilities as a writer and editor...

Author: By Gregory F. Lawless, | Title: Pound: The Poet and the Fascist | 6/14/1976 | See Source »

...common knowledge that Pound's attempts to collaborate with the Fascists on the Ente Italiano Audizione Radiofoniche (EIAR), the statecontrolled radio-broadcasting agency, were at first rejected. The Fascisti thought he might be sending a code even after he began broadcasting. Heymann has turned up evidence that some even thought Pound was mad: "There is no doubt in my mind that Ezra Pound is insane!" wrote the manager of the National Institute of Cultural Relations with Foreign Countries. Heymann shows that even as early as 1935 II Duce's office had criticized a plan devised by Pound as "eccentric...

Author: By Gregory F. Lawless, | Title: Pound: The Poet and the Fascist | 6/14/1976 | See Source »

There is another small point of contention surrounding Pound's collaboration with the Fascisti. Pound's defense was that he had a signed agreement with Mussolini's government--actually broadcast over the air--which read in part, Pound "will not be asked to say anything contrary to his conscience or contrary to his duties as an American citizen." The problem was really that Pound didn't understand the difference between intent and action. Even Camillo Pellizzi, the president of the Fascist Institute of Culture, said Pound was legally a traitor, but that the poet thought it was his "duty...

Author: By Gregory F. Lawless, | Title: Pound: The Poet and the Fascist | 6/14/1976 | See Source »

AMARCORD ["I Remember"] is Fellini's most ingratiating film so far--the return to scenes of his childhood near Rimini on Italy's Adriatic coast seems to have mellowed him. His fascisti are Verdi caricatures who can be deflated by a phonograph blaring out the Internationale from the bell tower in the town's main square as Mussolini begins a speech; the worst they do to the perpetrator is give him a humiliating dose of castor oil. The strangest and most wonderful things happen in the city of Amarcord, but they are all good things: A great ocean liner sails...

Author: By Paul K. Rowe, | Title: Fellini's Beatific Vision | 1/7/1975 | See Source »

...peeping tome of love and revolution in a banana republic allowed for no such adornments as taste or logic, and neither does the film, at least not in its original 3-hr., 11-min. version. As a boy, Dax Xenos (Loris Loddi) sees his mother raped by the Fascisti. He swears revenge and years later the adult Dax (Bekim Fehmiu) helps a Castro-style Latin American leader named Rojo (Alan Badel) to survive a bloody uprising. On the way to the palacio, Dax becomes an insatiable voluptuary. According to Robbins' five-peseta psychology, the poor...

Author: /time Magazine | Title: Cinema: Overworked Organ | 3/30/1970 | See Source »

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