Word: fascistically
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Dates: during 2000-2009
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...predominately liberal crowd with his tales of the political iconoclast’s lonely life. “People recognize me on the street and they spit on me,” he said. “People go by my white board and write ‘Die Fascist Pig.’” He then led a singalong to “Part of Your World,” from the Little Mermaid. We are not making this up. We’re thinking about voting Republican...
...oneangrygirl.net, you can find the “well-behaved women” shirt which is touted as “fab” alongside other shirts with such tasteful catchphrases as “Fuck your fascist beauty standards” (available in Lipstick Pink). Guida, a satisfied customer, writes, “I had the ‘well-behaved women’ bumper sticker on my ten-year-old Dodge Omni. I sold the car, but I was really sad watching the bumper sticker...
...boom is gone, the dot-coms are shuttered, the Age of Clinton has come to an end, and the time has come again to decide what kind of nation we will be. Will we be the America that our enemies—the bin Ladens and Iranian mullahs, the fascist despots of Beijing and the tinpot tyrants of the Third World—enjoy painting us as, the champion of depravity and crass materialism, of corporate bottom lines and gaudy, hyper-capitalist excess, the America whose culture drowns in a sea of sadism and sensuality? Or will...
...generalizations to be made that hold true across the whole spectrum of art activity in South America. How could there be? The histories of the countries that constitute it are so totally different, especially in the 20th century. What could a country like Argentina, long ruled by a semi-fascist dictator like Peron, intensely conservative in its cultural orientation, have in common with a long-running, more or less liberal democracy like Venezuela's? In the real world there is no unified entity called South America. What this show presents is not some fiction of a general cultural ethos...
...Stage, radio and film: all were canap?s for the voracious man-child. Consider these three triumphs. In 1937, at 22, Welles and his Mer-cury Theatre had vitalized the New York stage with a "voodoo" " Macbeth," a "fascist" "Julius Caesar" and the agit-prop musical "The Cradle With Rock" - the last a sensation when the sponsoring WPA denied it a venue and Welles marched his company and the first-nighters to another theater, where the actors per-formed the show from the audience. In 1938, he elevated radio drama by bringing the Mercury Theatre to the air and, on October...