Word: fashion
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Dates: during 1950-1959
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...which church and state still hold solemnly binding. Flags flew, and there were services and speeches commemorating the recognition of the Pope's sovereignty over Vatican City and the designation of Roman Catholicism as the state religion of Italy. Thereafter, Italian police marked the anniversary in their own fashion...
...over a decade her name has been little more than a memory borne on the elusive scent of a perfume now made by someone else. Yet, during the 1920s, when Paris was still the uncontested capital of haute couture, the unchallenged queen regnant of Paris fashion was petite, disdainful Gabrielle ("Coco") Chanel. A bored, restless, country-bred orphan who fled to the city at 17 with no capital beyond her native Auvergnate shrewdness, Chanel had parlayed a flair for simple elegance into a million-dollar fashion business whose headquarters was the distinctive salon at 31 Rue Cambon, Paris...
...Chanel's first acts as a fashion arbiter was to tear down the monstrous constructions of net and feathers that crowned women's heads and set in their place simple hats. From this radical start, she went on to order the fashionable women of three continents into the turtleneck sweaters of the apaches, to expose their knees and suppress their curves. The New Look of the '20s was the look of Coco Chanel; from it and the sale of dresses, hats, perfumes, handbags, junk jewelry and almost anything else that fashionable women chose to buy, Coco herself...
Solvent but disillusioned, Chanel quit. But was she finished? Last week all fashion-conscious Paris was asking this question as it trooped once again to Rue Cambon for 71-year-old Coco Chanel's first fashion show in 15 years. There was more than a show of feline claws as the fat cats of the fashion world crowded in among the models like subway riders in a rush hour. Some fashion writers found Coco's long-skirted, severely tailored designs "tacky." A plain navy suit was modeled, wrote one, "by a brunette mannequin who was with Chanel...
...popularity. Like most Victorian novels, Charlotte Bronte's book is a thinly-disguised social criticism with its target religious bigotry and self-righteousness. Miss Bronte was indeed indignant, and once described her novel as an attempt "to pluck the mask from the face of the Pharisee." In true Dickens' fashion, she wrote about insufferable aunts, cruel schoolmasters, and orphans' asylums, and made them all as black as the corridors of Thornfield. But she added to her novel a vivid sense of melodrama, replete with thunderstorms, dark castles, and voices drifting across the moor...