Word: fashionability
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Dates: during 1960-1969
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...lady of style has gobs of money, she can still find all the exclusive, just-for-you creations her heart desires in Paris' high-fashion houses. But the designers these days trend more to mass-market ready-to-wears, known as prét à porter-and to more pants, more boots, more chains, more turtlenecks and, of course, more transparency. For his fall collection, André Courrèges' main excitement was a white, rib-knit jump suit, with a tunic for daytime wear and a sequined pants outfit with see-through top for after dark...
...date welfare statistics to allot the money so that it will go to the most needy districts. The states, however, plead that local programs, once established, should not be abruptly, terminated, so the USOE has relented and allowed the states to make the change in a fashion reminiscent of the Supreme Court's "with all deliberate speed...
When he says that "dissident sartorial fashion" is a form of transvestism that blurs sex differences, it seems that he has never looked beyond the long hair and junk jewelry to the girls in miniskirts and bikinis, or the young studs in beards, creeping sideburns and tight jeans. And when he claims that "the Underground" in the U.S. (which he does not define beyond the suggestion that it is a vague association of malcontents) never raised its voice against the Russian suppression of Hungary, he is simply indulging in a naive bit of conspiracy theory...
...answers we've been waiting for) is relegated to an importance secondary to the meaning of the shocking last dozen shots. Realizing that Audran's secret world has brought about the destruction of his own ephemeral constructs, Chris reacts violently to destroy her, just as she (in Chabrolian fashion recalling The Third Lover) selfishly destroyed the tense harmony in which she was an outsider. Chris realizes spontaneously that Christine's unrequited love nonetheless was the center of his barren life; Audran screams about money; and Paul, innocent of crime but isolated from his familiar life-style for the first time...
...simple moral of all this, and one Chabrol would probably agree with in his humble fashion, is that plot and script content, always captivating, seductively able to sustain our need for entertainment, is limitless in its capacity for excellence yet always a subordinate. The discipline we must cultivate is that of understanding statements of edited images. As in all high art, great film teaches. Even on the lowest level of its excellence, The Champagne Murders teaches us to see better