Word: fashionability
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Dates: during 1960-1969
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...that simple. The conflict in this movie isn't that simple because Bob and Carol are hip (?) and Ted and Alice are square (!) Right?! Of course, right. From the very beginning. in that Hollywood fashion we all love and adore, writer-producer Tucker and writer-director Mazursky have stacked the cards against Bob and Carol. They do this by making Bob and Carol not so much liberated as pseudo-liberated. Bob and Carol think they are hip, but as the audience happily discovers, they are actually phonies and assholes. Robert Culp is a middle-aged Peter Fonda who wears beads...
...artifacts and accouterments of the years between the two World Wars, from jewelry to architectural decoration, are now being rediscovered in much the same fashion that Art Nouveau was a decade or so ago. The Cubist-patterned rugs and lacquered sideboards mother threw out daughter eagerly buys in thrift shops. The tubular lamps and muscular lobby murals that embarrassed board chairmen ten years ago are now sought by youthful cultists and even a few museums. Somewhere along the way, the style acquired a name: Art Deco...
...beginning to worry that prices for vintage items will soar. In some respects, they have less to worry about than did fanciers of Art Nouveau. Because so many of its designs were originally intended for mass production, Art Deco has proved singularly easy to copy. Manhattan's fashion industry has already begun to produce chunky, silver-and-jade Art Deco earrings, belts and pins. Some of the best Art Deco can be enjoyed by any devotee, without cost, simply by contemplating the elevator doors, grilles and mailboxes of such structures as Manhattan's Chrysler Building...
...reopening her salon. The plot is as simple as a Chanel suit: Yes, she'll open; No, she won't; Yes, she'll open; No, she won't; Yes, she'll open; Yes, she opens. Her collection is a flop with the Paris fashion world, but not (aha!) with the fresh-eyed buyers from across the Atlantic. Paris may have hated the dresses...
...with two sets, Beaton ended up designing 253 Chanel-style costumes for the show (total costume cost: $150,000) including 11 that will be dismantled during the performance, as Coco rips them apart and starts all over again. The musical's finale is a fashion show that features Chanel designs spanning 1918 to 1959. "It's like a Busby Berkeley number," says a member of the troupe. "The whole set is transformed into mirrors, platforms and rings going in different directions. Everything is turning and flashing at once...