Word: fashioned
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Dates: during 1930-1939
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Practice was carried on in routine fashion yesterday afternoon as Coach Dick Harlow handed out the final dose of hard work to his men in preparation for tomorrow's game. There was the customary display of Cadet plays and formations, the usual amount of hopeful pass offense, and finally some signal drills...
...rubber-stamp totalitarian fashion, the Parliament of Nazi-dominated Republic of Slovakia last week unanimously elected Premier Jozef Tiso, a Catholic priest, to become President of Slovakia. Dr. Tiso was kicked upstairs to a post of greater dignity, less power, because the Nazis have begun to consider him "untrustworthy." Simultaneously Minister of Interior Béla Tuka was promoted Premier amid rumors that he will soon be replaced by an even more pliant Nazi tool...
...peoples of the world into anxiety, as everyone will immediately realize, so that the campaign of lies of the English warmongers would find it easier to accomplish its dark plans." This plunged Germans into visible gloom, some weeping openly in the streets of Berlin. Thus in no uncertain fashion did the anti-Nazi Freedom Station show Adolf Hitler how jumpy were the nerves of his people, how desperate their longing for peace in spite of their great victory over Poland. The phenomenon of joy and grief also provided a fresh explanation for the Nazis' strange reluctance, if German arms...
...Doren turns from time to time to Dr. Johnson, but not, in the scholarly fashion, to buttress a point: it is rather as if he had found in that practical, intelligent and independent critic a turn of mind often not dissimilar to his own. Independence is indeed the keynote of Mr. Van Doren's book. In putting behind him the apparatus and techniques of scholarship, he has dared to do what few other critics have done: he has come face to face with Shakespeare. He has recreated the Shakespearean world, and one would like to quote the entire book...
...almost any group of compositions, such as the program for the Sanders Theatre concert this week, is almost sure to reveal numerous influences of dance music, both direct and indirect. The last section of Debussy's "La Mer", for instance, employs the rhythms of jazz in an unmistakable fashion. But more interesting than this are the scherzo of the Beethoven Third Symphony and D'Indy's "Istar" Variations. These forms lead one to a consideration of an aspect of the relationship between popular art and "intellectual" music which bears on the whole development of the large conventional instrumental forms...