Search Details

Word: fashioned (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
Sort By: most recent first (reverse)


Usage:

Miyake's clothes, declarations of independence for the body, do not look at all out of place on exhibit in museums. Yvonne Deslandres, curator of the Museum of Decorative Arts in Paris, casts traditional French fashion jingoism aside and calls Miyake "the greatest creator of clothing of our time." His designs challenge so many traditional expectations and break so many rules that they need different sets of standards to be understood or even worn. "I know many people resist or reject my clothing, because it's not a package that's already formed, like European clothing," the designer will concede...

Author: /time Magazine | Title: Living: The Man Who's Changing Clothes | 10/21/1985 | See Source »

...clothes are, altogether, something rather more than an alternative form of dressing. They are Japanese in origin, Western in spirit and, finally, universal not just in their impact but in the ravishing new images of the body they propose. These clothes taunt trend and defy style; they are not "fashion," except in its broadest generic definition. They are objects made by a designer who has the true spirit of an artist...

Author: /time Magazine | Title: Living: The Man Who's Changing Clothes | 10/21/1985 | See Source »

...community." Miles Davis likes to remark that Miyake "designs the way I think about music," and, pressed a little on the subject, comes up with some elegant riffs about Miyake's work. "He has balance, composition; he's incredible with fabric. He is an artist, yes, more than a fashion designer. I'd like to buy all of his stuff and put it on the wall, to look at when I get depressed." Even among his designer peers, Miyake pulls top points. Giorgio Armani says flat out that "Miyake is a genius. In image, in approach, he goes beyond fashion...

Author: /time Magazine | Title: Living: The Man Who's Changing Clothes | 10/21/1985 | See Source »

...constructive level of civility in the events of 17 Quincy Street that was to be, unfortunately, absent at the Lowell House incident a week later. Both the administrators and the protesters at 17 Quincy Street exhibited self-restraint, without which the incident might have ended in much sadder fashion...

Author: NO WRITER ATTRIBUTED | Title: The CRR Hands Down Its Decisions | 10/18/1985 | See Source »

Although the sit-in at 17 Quincy Street had raised questions about whether the protesters would remain within the bounds of the Resolution, the spring's demonstrations at Harvard had generally expressed legitimate dissent on an important issue in a civil fashion. The free exercise of these rights of political protest and debate is expressly protected by the Resolution. Against this background, the Lowell House incident was shocking and disgraceful. Fundamental civil liberties were violated in a most shameful fashion. To be sure, much of the misconduct during this incident may not have been premeditated; many of those who behaved...

Author: NO WRITER ATTRIBUTED | Title: The CRR Hands Down Its Decisions | 10/18/1985 | See Source »

Previous | 127 | 128 | 129 | 130 | 131 | 132 | 133 | 134 | 135 | 136 | 137 | 138 | 139 | 140 | 141 | 142 | 143 | 144 | 145 | 146 | 147 | Next