Word: fashioner
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Dates: during 1950-1959
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...reassuring to learn of the truly simple life that one of our statesmen, with his wife, enjoys, if only occasionally, in a completely primitive setting by recharging his depleted energies in such fashion. Such men's motives are to be trusted, for they are going to the source of life for their strength...
...ornate, sentimental tastes of most Frenchmen in the second half of the 19th century, they were ruthlessly held down by entrenched academicians who controlled the Salon exhibitions. Many of them were grizzled veterans before they began to pay their way with their paintings. When impressionist painting suddenly swept into fashion at the turn of the century, their prices began a rocket ascent that is still going strong. Last week, with France's President René Coty on hand to officiate, the battlers for impressionism reached new stature in their own land. At last they have a worthy museum...
...inspiration from a gag riddle posed by the child of a friend: "What has one eye, one horn, flies and eats people?" (Answer: a one-eyed, one-horned, flying people eater.) Wooley composed the song in an hour, hyped the People Eater's voice in currently approved fashion; he achieved the toy saxophone sound of the People Eater's horn by recording a regular saxophone at reduced speed and playing it back at high speed. The record took off immediately...
...Heuss earnestly trundled about the country to New York (where he received an honorary L.H.D. from the New School's President Dr. Hans Simons, who attended Berlin's Hochschule für Politik with him some 40 years ago) from the Grand Canyon (which, in good statesmanlike fashion, he painted). Sampling the lighter side of U.S. life, Dr. Heuss bounced two miles in an old-fashioned buggy to a rodeo in Prescott, Ariz. (His comment: "I looked to see if they dressed the way cowboys do in the movies, but they dress better"), and in Williamsburg...
...consistently experimental of U.S. composers in a typically dissonant and percussive vein. The slow movement, taken from a dance score composed in 1936 for Martha Graham, is more loosely stitched and considerably less appealing than the rest of the work, but Composer Wallingford Riegger winds matters up in bold fashion with a striding, Western-flavored theme as muscularly rambunctious as an unfettered bull...