Word: fasts
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Dates: during 2000-2009
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...enough for Russell, who laments, “But not as free as we’re bred to believe we are.” Science, while altering our contemporary conception of happiness, changes none of our feelings of not having it. In a moral environment split between the fast moving, forward-looking pharmaceutical industry and the ineffectually resistant humanities, Powers does not take sides, but considers the issue from both points of views, simultaneously. “Generosity” thereby succeeds in engaging its scientific subject matter honestly, and therefore that much more significantly. It is this respect...
...alliance of corporations (among them, Happicuppa, HelthWyzer, CyroJeenyus) whose laboratories and workers live in gated communities. Outside the Corps are the Pleeblands, a proto-Gotham, but with grosser food and nastier crime. There’s something revolting and enchanting about Atwood’s creations—a fast food chain called “SecretBurgers: Because Everyone Loves A Secret” or “Painball,” a security facility in which convicts shoot at each other with corrosive paint—perhaps because they are so playful. But Atwood never loses her edge. When...
Cobwebs of conspiracy, visible only by glimpses of light filtered through the haze of pot smoke, bind fast the decadent and insular isle of Manhattan in Jonathan Lethem’s newest novel, “Chronic City.” The protagonist, Chase Insteadman—a former child star living off re-run residuals—serves as both one of a cohort of sleuths trying to untangle these webs and a vessel for the reader’s own desire to do the same. His seemingly infinite naïveté parallels our own; his paranoia...
...could have children and a wife, a perfect little life,” which make the song’s even cheesier aspects, such as the sound of a cork popping open at the mention of a bottle of wine, more bearable. The persistently fast-paced songs, littered with disco beats and captivating choruses, continue until “I See You.” While a respite from the relentless pace of the first half of the album, this slower track proves to be trite and unoriginal. Its cloyingly romantic lyrics verge dangerously towards the clich?...
...song has none of the wordplay or metaphor that filled earlier Pearl Jam love songs. But the wistful melody and the subtlest vocal performance of Vedder’s career turn the innocuous lyrics into an achingly beautiful song.No longer does the tempo alternate only between slow and fast, either. “Among the Waves” is a midtempo anthem whose only real precedent is 1998’s fan favorite “Given to Fly”; like that song, “Among the Waves” has tempered verses that lead into a soaring...