Word: fasts
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...Factor bloggers over at Slate have been carrying on a lively argument about how Palin has been deployed and what that tells us. "I'm guessing part of the reason the Palin effect is fading so fast is that they've tried so hard to turn her into a pet - adorable, as you say, but mute," Hanna Rosin argued. "So now she's fetching but useless. And who else could we blame but her male handlers? It can't possibly be her choice. One suspects she would love to take the liberal media on, given the chance." But Dahlia Lithwick...
...know is that with each passing day, Palin's road gets harder, the expectations higher, the margin for error smaller. For voters who were encouraged to see a woman on the ticket for the first time in nearly a quarter century, it's discouraging that Election Day fast approaches and we still know so little about Palin's reflexes and principles and priorities. Hurling a newcomer onto the national stage with two months to go and then hiding her behind photo ops and teleprompters is a disservice to her, and to women, and to voters who want to know what...
...very important hint that there is some particular hormone-brain relationship contributing to the appetite for thrills, strong sensations and excitement." This thrill seeking may have evolved to promote exploration, an eagerness to leave the nest and seek one's own path and partner. But in a world where fast cars, illicit drugs, gangs and dangerous liaisons beckon, it also puts the teenager at risk...
...Fast facts...
...appropriately channels their power. It is fitting that Wein is best known for the Libby Dam, the largest granite relief in America. However, the overabundance of sculptures and drawings that convey Wein’s obsession with the highly stylized human body means this type of representation gets old fast. In contrast, works such as “First Steps,” an abstract piece that only at second glance (and with an explanation) shows a woman guiding a child, are malleable and soft, comprised of one continuous shape with infinite contours. The titles of his pieces in this...