Word: fatales
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There is just one little problem. In killing Alex, Beth also kills the child -- Dan's child -- inside her. The first wife saves her family by destroying the potential family of the woman who wanted to be Dan's second wife. One woman movie executive, who is disgusted by Fatal Attraction's message, offers this bitter coda: "Dan and Beth should be put on trial for the murder of Alex's unborn child...
...critical standard, Fatal Attraction is no masterpiece. The plot has holes you could drive Beth's station wagon through. (How does Alex get Ellen out of school? Why didn't the family dog bark when Alex breaks into the Gallagher house? Why can't Dan hear the final struggle a floor above him, and why does the bathroom tile floor leak water?) The threat to Ellen's pet rabbit can be smelled three reels away from payoff; that hare is high. Lyne's visual style, with its grab bag of slick thrills and cheap tricks, is clever but unoriginal -- hack...
...glance, Alex, with her cool allure, seems an avatar of Hitchcock's blond ice goddesses. Only later do we discover she is as lonely and lethal as Mother Bates. But with a difference. In Psycho the woman with the knife was really a man with an Oedipus complex. In Fatal Attraction, Alex holds...
...every strategy, Fatal Attraction is a cagey blend of old and new Hollywood, of current obsessions and conservative solutions. Director Brian De Palma (Carrie, The Untouchables) calls the picture a "postfeminist AIDS thriller." But unless Alex is the disease, Fatal Attraction is not about AIDS. Indeed, the story, stripped to its essentials, is the stuff of many an old movie weepie. Boy meets girl for a brief encounter; boy gets girl pregnant and disappears; girl falls in love with boy and tries to get him back. In those films, though, the lovesick female was the heroine and a rogue male...
...Jessica Walter is a woman who has a brief affair with a Carmel, Calif., disk jockey (Eastwood) and is soon threatening him, abducting his girlfriend and coming at him with a knife. Sound familiar? It sounded so familiar to Carpenter and De Palma that they passed on directing Fatal Attraction at least partly because of its echoes from Eastwood's film...