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...Adaptation. His videos echo the anomalous juxtapositions often found in his films; in Daft Punk’s “Da Funk” he guides a six-foot speech-endowed dog through New York City, then orchestrates a meticulously choreographed aerial waltz with Christopher Walken in Fatboy Slim’s “Weapon of Choice.” Though Jonze’s collection is the most satisfying for its breadth of styles, the offerings are occasionally spotty and relatively shallow exercises...

Author: By Ben B. Chung, CRIMSON STAFF WRITER | Title: All Sussed Out | 10/31/2003 | See Source »

Think Tank even features production from Norman Cook (a.k.a big-beat pioneer Fatboy Slim), never fully replacing Graham Coxon’s missing axe. The emphasis here is clearly on sound and atmospherics rather than songwriting, and catchy guitar hooks are all but completely absent. Instead, they are replaced by winding synths that are every bit as infectious, yet sound unmistakably modern. Fatboy Slim’s production exposes new sides of Blur that were probably kept in check by Coxon’s conservative presence in the band...

Author: By Christopher A. Kukstis, CRIMSON STAFF WRITER | Title: CD Review | 4/4/2003 | See Source »

...assistant, canceling an interview with a reporter over and over again; he has acted like a Corvette-driving loudmouth for the BBC; he has staged a fight in a fast-food restaurant for Spin magazine; he has refused to admit he was the intentionally bad choreographer in his Fatboy Slim Praise You video. He used to care...

Author: /time Magazine | Title: Movies: Spike Adapts | 12/9/2002 | See Source »

When Jonze was just a skate-punk director of videos (Beastie Boys' Sabotage, Weezer's Buddy Holly, Fatboy Slim's Weapon of Choice, which features a dancing Christopher Walken) and commercials (Nike's Y2K spoof, Lee Jeans' Buddy Lee series), and the producer who brought Jackass to MTV, he would mumbleshrug his way through interviews...

Author: /time Magazine | Title: Movies: Spike Adapts | 12/9/2002 | See Source »

Blade II is not without its shortcomings—some tracks, such as the Eve and Fatboy Slim collaborative, “Cowboy,” and Cypress Hill and Roni Size’s “Child of the Wild West” suffer from painfully annoying choruses that are repeated far too many times. Mos Def’s angry nasal rantings run incongruous to the downbeat trip-hop of Massive Attack on “I Against I,” and Danny Saber and Marco Beltrami’s “Theme From Blade?...

Author: By Crimson STAFF Writers, CRIMSON STAFF WRITER | Title: New Music | 4/12/2002 | See Source »

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