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Word: fated (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...visiting professor of journalism at Princeton and plans to ignore his unfinished Peter manuscript until the spring. "I'm not saying I'll never finish it," he told TIME Reporter Sarah Bedell. "Peter the Great has been around 300 years." Da, tovarich, but litterateurs may recall the fate of Leo Tolstoy, who, following the success of War and Peace, plunged into a novel about the selfsame czar. Even he abandoned the project for something shorter and simpler: Anna Karenina...

Author: /time Magazine | Title: Books: Advance Guard | 2/14/1977 | See Source »

...open a 10 a.m. beer with the local priest and a couple of the town aldermen, I reluctantly boarded the reconverted, Prohibition era rum-runner the local ferry monopoly had provided to shuttle us off to safety for a mere $1.75 apiece. My friends I left to their uncertain fate...

Author: By Francis J. Connolly, | Title: A Howling Good Tale | 2/12/1977 | See Source »

Only then, she later wrote, did she understand the fate of the "afflicted"--those who, unlike the "oppressed" who harbour either real or imagined hope for revolution, must live with the inexorable fear that life will victimize them. "Since then I have always regarded myself as a slave," she wrote shortly before her death...

Author: By Mark T. Whitaker, | Title: How Sound A Sacrifice? | 2/9/1977 | See Source »

...with suggestions of how men can deal with his sense of imprisonment by nature and by history. In her last essay, "The Iliad, or the Poem of Force," she goes so far as to challenge Marx, arguing that force, rather than class struggle, is the key to man's fate. And since liberation from these forces is hopeless, she concluded, to deal with "affliction" man must cling to a belief in a Supernatural Good--for Simone, perhaps, to a Christian...

Author: By Mark T. Whitaker, | Title: How Sound A Sacrifice? | 2/9/1977 | See Source »

Remember those hundreds of pages of moralizing on fate and history at the end of War and Peace which you were always tempted to skip, preferring to have Andrei's death scene with the grieving Natasha at his bedside go on and on? Well, in the adaptation of Tolstoy's epic novel which visiting director Norman Ayrton is staging in the second mainstage slot this season at the end of March, the romantic glow doesn't fade because the moralizing comes first. In the stage version the voice of Tolstoy has been fleshed out as a narrator...

Author: By Shirley Chriane, | Title: STAGE | 2/9/1977 | See Source »

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