Word: fates
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Dates: during 1900-1909
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...English city under the guidance of an eccentric local character. It is well told. It takes some lines, however, for the reader to decide which York is meant, the only New York, the English city, or the old English settlement in Maine. Mr. Schenck contributes a story, Fate and the Traitress, novel in situation. The reader is quite taken by surprise twice during the tale. A very good novel might well be made from this short story. Some rather blind verses on The Blind Angel, and reviews of recent books close the number...
...Pardoner's Tale." There roisterers go forth to kill Death, but become embroiled in an altercation concerning the division of a pot a gold which they have found. In the dispute all are killed. The play ends with the specter of Death standing over the three, symbolic of the fate of those who seek gold with evil intent...
...leading them, the Jews would follow as one man. So much of necessity has money meant to them. But then again one sees only the sublime doggedness of their one highest ideal-resisting compromise. The play in short sets one thinking, sets one contemplating a great ungathered people's fate as well at its own as at others' hands. Mr. Davis has proved himself behind certain crudities of technique, a playwright of power...
...Caravan" is impressive, the wording is good (preponderance of monosyllables), and the vagueness gives the imagination free play. The interrogation points in the second and third stanzas should be omitted. The conception in "The Flower Stall" is good; the poem needs verbal revision. The sonnet entitled "Love and Fate" is worthy of praise for the correctness of its construction, the thought moving steadily and naturally to the culmination, and for the dignity of the language. A vigorous plea ("Yoke-fellows") for loyal service in the cause of the Ideal and a pithy, pleasing love-song ("My Absolute") conclude the poetical...
...time when Beethoven was most unhappy because of the breaking off of his engagement to a beautiful young girl, and was consequently pouring out his grief and his despair in impassioned music. In fact, the first movement of this symphony is literally a musical expression of the struggle between Fate and the human soul. But Beethoven's wonderful music is never narrowly personal. Its great influence with the public the world over comes from the fact that Beethoven, through his own intensity and depth of feeling, succeeds in voicing the sorrows, the aspirations, and the unsatisfied ideals of all humanity...