Word: fates
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Dates: during 1980-1989
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Strange, though, are the ways of fate and fame. The movie shows Lewis' bravado being directed at his cousin, revivalist Jimmy Swaggart, who is portrayed at more or less regular intervals denouncing rock 'n' roll as the "devil's music" and praying for the redemption of Jerry Lee's blighted soul. But the real-life Swaggart has since been brought low by the revelation of particularly tacky sexual practices. Lewis' music, manner and morality now seem almost innocent in comparison with what has followed him up the charts and into the hearts of adolescents during the past three decades. Even...
...prosecutors, who have already relied on the federal forfeiture provisions to grab more than $600 million in property from drug traffickers. Said Attorney General Dick Thornburgh: "This is a notable victory in the war on drugs." The rulings were denounced, however, by defense attorneys who fear that the fate of both their livelihood and their clients may depend on the whim of law-enforcement officials. "No one who has law school loans, a mortgage to pay and kids to feed can afford to practice this kind of law anymore," said Scott Wallace of the National Association of Criminal Defense Lawyers...
...such places as Nicaragua, Viet Nam and Eastern Europe may be tired, hungry and poor but are not victims of persecution. A host of measures aimed at deterring refugees have been introduced. The most obvious -- and no doubt the cruelest -- is deportation. That has been the recent fate of thousands of Central Americans, largely Nicaraguan citizens, who tried to enter the U.S. Washington's repelling measure has had the intended effect: whereas asylum applications in Texas ran at a rate of 233 a day two months ago, the level has dropped to fewer than ten daily. Other countries, including Britain...
WASHINGTON--The Supreme Court yesterday prolonged the drama surrounding the fate of legal abortions, postponing until Monday any word in the most closely-watched high court case of the decade...
Here he is plastering rouge on the Old Hollywood corpse. In the heyday of the studio system, few stars were given the chance of controlling their cinematic fate. Lawrence Kasdan, who directed Costner in The Big Chill (where , his substantial role was cut to a few cameo shots as a corpse) and Silverado, compares the actor with Steve McQueen. "Like McQueen," Kasdan notes, "Kevin has a real sense of what he can do. He has always known what's really important for him, rather than what others think is important...